I believe that a web series allows actors the freedom to express their views.
But the universe, as a collection of finite things, presents itself as a kind of island situated in a pure vacuity to which time, regarded as a series of mutually exclusive moments, is nothing and does nothing.
So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them.
On the way from Chicago, I spent the summer of 1947 in Ottawa, helping to build the first of a series of econometric models for the Canadian government.
I've spent 34 years associated with the Cubs, and part of the reason I've stayed in baseball is because I want to be part of a World Series winner.
Things have slowed down considerably since the new series has started airing and I am currently looking for work. It has been a nice year-long vacation nonetheless.
There were so many lead roles available when I was in my thirties. Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.
Before I pitch any game, from spring training to Game 7 of the World Series, I'm scared to death.
I've been around since I was 19, I won the Oscar when I was 21, I've had a couple of TV series. I've continued to work despite the predictions of some naysayers.
If you read the whole Vertigo 'Animal Man' series of 89 issues or whatever, each writer has a completely different take on his origin. If you try to put them all together, they contradict one another. I had to pick and choose to make up a new origin that makes sense to new readers.
The conventional Aristotelian plot proceeds by means of a protagonist, an antagonist, and a series of events comprising a rising action, climax and denouement.
The Greatest Living Yankee is Whitey Ford, who came out of Aviation High School, which was then in Manhattan, and helped pitch the Yankees to victory in the 1950 World Series when he was 21.
You're playing a game, whether it's Little League or Game 7 of the Word Series. It's impossible to do well unless you're having a good time. People talk about pressure. Yeah, there's pressure. But I just look at it as fun.
Don't write us off. Nobody thought we'd win the World Series in 2005, but we did. There are years when we think we're great, and we're bad. I mean, the funny thing about this game is that you can't figure it out.
We live in an ascending scale when we live happily, one thing leading to another in an endless series.
Every man sees in his relatives, and especially in his cousins, a series of grotesque caricatures of himself.
Both the 'Gregor' series and 'The Hunger Games' are what I call lightning-bolt ideas. There was a moment where the idea came to me. With 'The Hunger Games,' the lightning bolt sort of hit at a moment when I was channel surfing between reality TV and the coverage of the Iraq war.
Winston Cup and the Busch Series are two totally different leagues. You get put in different situations.
It is hard to imagine the World Series being held in the sweet hazy sunshine of late September rather than the sour night air of late October, but that is precisely what has transpired in baseball over the past 50 years, a deterioration from light to darkness.
There was a bad patch in the '80s and early '90s when feminist thinking had become sort of a monopoly and had developed a series of litmus tests.
I kind of came to the conclusion after I did finally get married that love and relationships are just a series of horrific losses with hopefully one win.
Because the series is situated in the next century, and for the most part under water, there are many innovative technical gadgets. It's a kind of StarTrek. When I first came there, I was really impressed myself.
At Current, television is all we do - that's our business. We don't have amusement parks I have to worry about, we don't have environmental cases against us, we don't have a series of outdoor-advertising companies.
I therefore set to work, and after two and a half years of not inconsiderable labour I now have the privilege and the satisfaction of accompanying the early volumes of the series with this preface.
Getting to places like Bangkok or Singapore was a hell of a sweat. But when you got there it was the back of beyond. It was just a series of small tin sheds.
I think that by following the route that I have tried to outline, one gets into a much more interesting and productive series of questions than those that result from saying simply that Chinese don't like milk because they don't like milk.
My parents didn't want me to be a regular in a series. I was a working actor from time to time but they thought was a little too much being a star of a series. They wanted me to have a slightly more normal childhood.
I don't think I have the power to do more mythological shows, but I would love to if it's like a finite series. But doing that as a daily soap is not easy.
I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.
People really feel the need to share how the series has touched their lives, and that's been very moving. We're enormously grateful to the fans of the show. They've been extremely loyal to us season after season, and they make it all worthwhile.
A woman's chastity consists, like an onion, of a series of coats.
'HIM' is much more of a British, coming-of-age series, while 'Stranger Things' is very obviously a sci-fi drama.
I was really bored in school because I couldn't do what I wanted to do, which was act. And then when I was 14, a local TV company came to the youth theater, and they were auditioning kids to be in this new TV series.
In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.
I know what it takes to go from the point where someone's looking at a newspaper article, and thinking, 'Oh, this would make a great TV series,' to the point where you're actually on a set and there's a camera aimed at someone.
John Carpenter created the idea of Halloween, so his vision remains the most focused and intelligently directed of the series. The directors that have followed have kept the original intent of the concept.
