I've shot a lot of places, and I've produced. I always thought, 'Gosh, when you shoot in a big city, it's so difficult.' And New York, I always think, 'Where are you going to park the trucks? How are you going to stop the traffic?'
With fashion, you go deep into a shoot for one day, but a movie lasts so much longer. It's literally like going to summer camp.
I'm pretty interested in documentary film, and I'd watch almost anything. At some point, I stumbled upon 'shoot interviews' and found out that wrestlers were now talking openly about things that were going on in wrestling that we as viewers were not privy to. This fascinated me.
I was excited to come to Australia to shoot for Seafolly because I've been wanting to visit since I was young. There wasn't much time to explore because we were so busy, which happens often during shoots. We had to take a boat to the Whitsunday Islands every day to get to the locations, which was a great way to start the day.
There's no way you can shoot low-budget stuff on lots of locations. It's just a practicality thing because every time you move, it costs time and money.
I've always thought that I'd make a pretty good police officer, except maybe for the danger part. I have a rare medical condition that makes it difficult for me to risk getting shot, so probably I'd have to be one of those officers who work in 'do not shoot' areas.
Television is such an evolving medium. When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
The worst thing you can do as a comedy director is be on set and think of something ridiculous, or an actor comes up to you with something ridiculous, and you say 'No, no that's too much.' Let's not worry if that's too much, let's shoot it, and then decide if that's too much when we see it.
I know how hard it is to shoot the basketball, so I've got great appreciation for it.
It's not about hiding your imperfections on a shoot; it's about embracing them and being unapologetic about them.
I think I had the most fun making a movie with 'Dedication,' just because you knew that it was a passion project for everyone involved. We had X amount of days to shoot New York in the cold. No trailers. Just sort of kind of doing it guerilla style in a way.
I know you are here to kill me. Shoot, coward, you are only going to kill a man.
I think each shoot has a different personality.
Because I'm shooting 'The New Normal' and 'Real Housewives of Atlanta' at the same time, so my schedule is double. I leave one show and go and shoot the other. The cameras are with me for, like, every day of my life. So I'm extremely tired.
I feel like if you shoot one scene all day long or you take two days to do a scene, that scene is going to be stale.
When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
I'm from Mexico, and I've heard some horror stories about cast members who can't stand each other. What we have on 'Jane' is a blessing. We do table reads for every single episode one day before it starts to shoot.
In a photo shoot, you have to be very comfortable in your own skin. It's all about confidence-boosting and putting on armor.
They teach you some things, but football is instinct sometimes. You just get the ball, and sometimes you dribble past three players and pass it; other times, you can shoot from far away. It's just instinct. If you feel something, just do it. I am free to do that.
The Clinton Administration has turned out to be a boon. I knew that he would be wonderful, I just knew it from the beginning. From Arkansas? Shoot.
Hollywood has a longer pre-production period and they juggle shooting schedules more carefully for each cast. In Korea, we shoot day and night without much break.
I shoot from the hip.
