If Apple, Amazon, Netflix, or somebody else can ever blast away all the ridiculous vestiges of decades-old TV content and technology we live with today, I'll buy whatever they come up with. Until then, I'm settling for a Caavo.
I really get pursued by men in their 20s, like, a lot. They probably know there's food in the fridge and that somebody's going to talk to them and ask them how their day was.
I do come across people who don't like me, don't like my comedy, don't think it's funny, it's too cutesy, or whatever they hate. And it's like, 'Okay. That's your opinion. Somebody liked it, so that's good.' Hopefully it balances out.
I think that when you're making a story... that's based on somebody, the filmmaker has his duty to do his research.
You've got to be very conscious of what people see. If I saw somebody every day, I would get sick of them. Most guys think, 'If I can get on TV every day and give that quote, I'm going to be golden.' It's not about that. It's about showing people you can be yourself.
When I'm writing, I need to amplify my thoughts and feelings on just a conversation that I might have had with somebody - somebody close to me. It's often the case that the people closest to me are the people on my mind the most.
As far as I know, Mr. Watzke has not said he would sell me if somebody offered 100m. He has emphasised that the club would like to continue working with me. The club is just greedy for success - and so am I.
Somebody can feel elegant without being elegant. It's a personality.
I know I have a caption that I'm going to use when somebody tells me something I've never heard before. It's very rarely a thought, a philosophy, when somebody says, 'Oh, I don't like cheese' or 'Oh, I think the government should be overthrown,' because so many people share these thoughts. But what people don't share is stories.
It's nice to help remember somebody who really made a very positive difference in the world.
Let's take up the most important issues first. Let's take up the reauthorizations first; let's take up the appropriations bill first, not wait until four days beforehand - no one has mentioned anything, and, all of a sudden, somebody looks at their watch and says, 'Hey, in four days, the government is going to run out of money.'
With anything you put out there, you're going to offend somebody, but most people get that it's a joke, that I'm playing a character, and that I'm actually making fun of what I'm saying by saying it.
Write because you love it and not because it is something that you think you should do. Always write about something or somebody you know about - something that you feel deeply and passionately about. Never try and force it.
If somebody knows me, they know for sure I'm from Poland because I'm playing for my country every tournament, every match. I'm staying in my hometown and my home country because that is where I feel comfortable. I feel good there.
Etiquette is all human social behavior. If you're a hermit on a mountain, you don't have to worry about etiquette; if somebody comes up the mountain, then you've got a problem. It matters because we want to live in reasonably harmonious communities.
'No Flex Zone' is when somebody walks in and accuses you of stealing their cellphone, and you didn't, and you know in your pocket you have enough money to buy their cellphone, and you have your own.
Never fail to know that if you are doing all the talking, you are boring somebody.
I like to be called a Nigerian rather than somebody from the Third World or the developing or whatever.
Crazy people are my people? Really? I think that's silly. That's another one of those pigeonhole things. Lay somebody on an ironing board and put a scalding hot iron on them, get that going real good: 'Oh, this is who Holly Hunter is.'
There are certain things I don't want to joke about. If it's about somebody else, it's fine. If it's about me, I think it's totally insensitive!
I'm somebody who likes to gravitate toward people who aren't necessarily famous.
If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous.
You never believe your own hype. As quick as somebody can be 'the guy' in Hollywood, he can be gone the next minute. For me, it's about doing great work. And then hopefully you keep working forever.
We are all somebody's children, and when we're in pain, we regress, instinctively looking to our parents to make everything better.
I talk to my fan club members, and I blog, and they know what's going on. But as far as Twitter, I'll be in a restaurant, and I'll get home, and somebody tweeted, and they talked about what I ordered and what I was wearing. In some cases, that could be dangerous, because you don't want everybody to know where you are every second of every day.
Golf is fun - until you hit somebody in the head.
The most important thing you can do as a performer is to be yourself, or be an onstage version of yourself. If you're not being true to yourself, and somebody likes that other version of you, you're kind of stuck.
We only call at ducks when their rear ends are towards us. If I'm looking at you and you call my name, then I know where the sound came from. But if you had your back to me and I holler and you turn around, you would assume somebody hollered. You want your decoys to represent the sound that you're making.
In improv, the whole thing is that it is a relationship between the two people, as a back and forth. In standup, you don't really want to be listening to what somebody is saying; you want to project your jokes into their face.
Everything I write about either I have gone through or I know somebody has gone through, so it's very close to me, but sometimes it's about taking those feelings and exaggerating on them a little bit: being a bit more dramatic but still keeping them relatable.
The groundhogs are pretty good at eluding. If somebody is trying to come after a ground hog, they go and they burrow.
I want to be like Ford Madox Ford. I want to be talking to somebody across a fire, and I want him to join me and listen to me, and if he is fidgeting in his chair, I know I am not doing my job. I am a storyteller, and I know most people like a story.
I want to be a man who serves my family, a man who increases justice in my community. I want to be all of those things, and yet it is just below the surface that I want to strangle somebody when they cut in front of me on the freeway.
What's interesting for me is that I generally consider myself to be more of a physical actor, and I'm somebody that doesn't really want to use the dialogue but prefers to act through my body, and then sometimes when I have a script, I look and kind of throw away the dialogue and I just look at how I can expressive it through my body.
An author is somebody who writes a story. It doesn't matter if you're a kid or if you're a grown-up, it doesn't matter if the book gets published and lots of people get to read it, or if you make just one copy and you share that book with one friend.
Every time I turn on the radio, I must be on the wrong song or something. But, to be honest, since I went on the road back in 1970, I didn't listen to radio music because I didn't want to subconsciously steal somebody's stuff.
