My job is essentially that of an entertainer, no different to that of a musician, no different to that of an actor. I just happen to be an author.
I really feel that I had a genuinely diverse, multicultural upbringing, and I just don't find New York to be quite as diverse. Maybe I'm romanticising, but I feel that I was exposed to a real melting pot in terms of culture and pop culture. My kids are essentially middle-class, but I do try to remind them that they come from humble beginnings.
I say that I suffer from what Rosalind Krauss was calling the post-medium condition, where an artist essentially employs several mediums in order to bring to life whatever specific ideas that they have. For me it's always been that way.
The writing life is essentially one of solitary confinement - if you can't deal with this, you needn't apply.
And I was the only black kid in my school for almost all of my childhood, until I was a teenager. So imagine, if you will, being 6 feet tall by third grade, so essentially being a living maypole.
So, what genetic disposition do you need to be a CFO? Essentially, you need to be miserable, you need to be the sort of person who takes drinks away from people at the end of a party.
Scalability is this idea of coming up with a blockchain that can scale much larger than existing chains essentially by processing transactions in parallel. And moving away from this paradigm where every single node on the network has to process every single transaction.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
You get a show where people are jumping up and dancing, but it's not a critical event in the sense of profound catharsis. Essentially it's celebratory.
It stands, essentially, for the application of increased energy to the efforts already undertaken by my ministry since 1934 with the results shown in the above statistics.
Each one seems to be, in some way, essentially different from the others, and each is a surprise to me. I think that making books, or any kind of art, might also be like mining. The artist digs into his or her life and imagination and never knows what they'll find. That's the adventure.
The pace of digital innovation is astonishing. It's impossible to imagine life without the web, smartphones, social networks. And yet the consumer products and everyday objects all around us are still essentially dumb.
Music is essentially an emotional language, so you want to feel something from the relationships and build music based on those feelings.
My biggest hobby is airsoft, which is similar to paintball. Essentially, it's military simulation, but the guns shoot plastic BBs. My friends and I go out in the woods or the desert and play all day long!
The road leading to a goal does not separate you from the destination; it is essentially a part of it.
I can't ever seem to shake the feeling that when things are really good it essentially means that things are going to go really bad. When I feel calm and settled, there is always an underlying feeling of impending doom... I don't think that it's healthy.
All the movies I've made are essentially character-driven movies about people that I'm interested in.
I was so results-oriented.
Shakespeare is, essentially, the emanation of the Renaissance. The overflow of his fame on the Continent in later years was but the sequel of the flood of the Renaissance in Western Europe. He was the child of that great movement, and marks its height as it penetrated the North with civilization.
Theater and film are essentially the same - just different kinds of storytelling.
Agribusiness - with its wicked powerful lobby and its infiltration of top bureaucratic posts - essentially runs roughshod over the government agencies that are supposed to monitor it. It's the rich fox guarding the filthy, overcrowded henhouse.
What I'd really like to write is a romantic comedy. This is my favorite kind of movie. I feel almost embarrassed revealing this, because the genre has been so degraded in the past twenty years that saying you like romantic comedies is essentially an admission of mild stupidity.
The United States themselves are essentially the greatest poem.
I was essentially paid to perpetuate the myth that we are all, or should at least try to be, 17 and a size 2 forever.
Essentially, my hero-role model is Muhammad Ali, because when I watched this one fight of his with my dad when I was a kid, and I watched him not go down... I think him just taking a lot of blows and not going down, it was so moving.
I write a story as if it were a letter to someone and essentially, that's what you do.
I was 39 when I did, essentially, a three-quarter sleeve on my left arm. It was very late in life, which is good: I can't think of any decision I made at 19 that I'd be happy with at 39 or even now, at 51.
Diaspora starts about a thousand years from now. Most of human civilisation has moved inside computers; essentially, a major branch of our descendants consists of conscious software.
Just as our solar system has a certain idiosyncratic assortment of planets and moons, different from any neighboring system yet categorically equivalent, so each distinct period of human history might have special qualities and individuals, characteristics and events, yet still be essentially akin beneath the surface to all the others.
Gardening always has been an art, essentially.
In a marketplace where it's so easy to produce products, where your competitors can essentially match you on the product itself, you need to have something else. You need to have an added value, and that added value is the identity, the idea behind your brand.
Science fiction is essentially a kind of fiction in which people learn more about how to live in the real world, visiting imaginary worlds unlike our own in order to investigate, by way of pleasurable thought-experiments, how things might be done differently.
I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.
Memory training is not just for the sake of performing party tricks; it's about nurturing something profoundly and essentially human.
In England, you feel like a member of the revolutionary guard the minute you even mention race. But I do think that the OscarsSoWhite phenomenon will have to reflect back on England. What people are essentially saying is that they want to see more diverse stories. It's not about putting three black people in the back of the shot.
We are essentially in the business of telling stories. We would like to think that most of our stories are basically human stories with sports as a backdrop.
