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Dance music is an emotional journey. It's how well you can make people feel something that they haven't felt.
Music has this emotional thing to it, and it touches people in crazy ways. The power of having that power is something that, once you have it, you don't want it to ever end.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
The best music is essentially there to provide you something to face the world with.
We're quite volatile as individuals, but that doesn't work exponentially when we are together. Relationships are about eating humble pie.
It's not easy to date when you're hefty. Besides I like feeling thin because it makes me feel amorous.
Everybody has something that chews them up and, for me, that thing was always loneliness. The cinema has the power to make you not feel lonely, even when you are.
For a song cycle to work, you have to feel these things when you hear them and you either have an emotional reaction to it or you don't. The plotline is something that gets woven together in the back-story.
It's an awful feeling to write something that you feel is really important... and to feel that you're being published by people who really don't get it and/or don't really care.
