I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
White rhythm is waltzes, marches, and the polka. In Africa, rhythm is used for a celebratory groove, but white rhythm doesn't have such an enormous vocabulary of spirits. It's basically militant.
When we started making 'Borgen,' no one had any idea it would have any appeal outside Denmark. No one expected it to follow the success of 'The Killing' because it's basically all about Danish politics.
Donald Trump has defined himself very well, not only in the primary election where he was absolutely disrespectful to his colleagues on the Republican side of the aisle and for Fiorina, who he basically said, 'Who would vote for you? Look at her face.'
When you leave, you basically want to go eat, because I talk a lot about food in my act. So when you leave, you leave hungry.
I basically try to visualize the team doing good things on the court the night before the game. I get shots up. There's not actually a pregame ritual that I do. I'm still trying to figure that out. I say a prayer. I go out with confidence.
The reason that most British actors are better than most American actors in the end is that they don't make any money. At the very end of their lives, they get into a space movie and they make a lot of money, but until that happens, basically, they don't have bank accounts. They live from day to day.
I have always marveled that so many religions exact such revenge against dissenters. It only weakens the appeal of their faith and contradicts any claims they might have made that 'all religions are basically the same.' If all religions were indeed the same, why not let someone be 'converted' to another religion?
I learned to basically pull my own weight, just do my own thing. I spent a lot of time alone and I loved it. It was actually really great because to the present day I love spending time alone. I go bicycling alone, go climbing alone and I just love being with myself and observing myself and learning something.
Traditional fiction has a little bit of spatial exploration but is basically a question of time - the question is, what happens next?
Corporations are like countries now, there's a king, there are serfs, there's a court, basically everything but moats. They're feudal societies, and there are good ones and bad ones.
In the early stages of our involvement in Vietnam, basically I felt that our course was right. My concern grew with the concern of the American people.
First of all, I'm a Midwesterner, being from Kansas, and Chicago is basically a big Midwestern cow town. It was built from the stockyards, and everyone is very friendly, and it's at the edge of the tallgrass prairie. There's just a good feel to it.
But you know, I'm the negative-Nancy, curmudgeon, glass-half-empty-with-a-leak-in-it guy - which is basically the fuel that fires me up anyway. Without that, we wouldn't have me.
Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that's what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.
If you look at my business record, I basically love to do turn-arounds. That's where I made all of my money.
I have accumulated so many experiences, so much, that I want to be able to realize so many things. This is why I have basically given up most of my positions.
My mom got me into some commercials, and I basically, I guess, just got out of my shell I was in at the time because I can't remember. I've just been blessed ever since.
I'm on a single track here - I work to direct what I want to see onstage. I basically have been feeding my own needs - to be working on a specific project at a specific time, and fortunately more often it works than fails.
It's a good thing to imagine yourself doing something you think you can't. I do that every day because, basically, if I had it my way, I'd just stay home and think about what I'm having for supper.
I wrote a song called 'Here on Earth,' and the hook is, 'There's no answers here on earth.' Basically, searching for the 'why' when someone passes away, and I feel really fortunate that my dad lived as long as he did. But no matter what happens or how it happens, it's certainly a stinker.
Landscape architecture is basically geodesign; it's designing geography. And yet geodesign is not only done by landscape architects, it's done by some of the world's largest corporations.
Sometimes I eavesdrop on people. I could rationalize it - oh, this is good anthropological research for characters I'm writing - but it's basically just nosiness. It also helps me gauge where I'm at: Am I normal?
Basically, what I do is place a stop, generally 10 to 20 percent below the current price, whenever I buy a stock. The exact level depends on my own analysis of a stock's trading pattern. If a stock violates this stop, I'm out.
In my junior year of high school, I went to a boarding school for the arts: a school called the Governor's School for The Arts and Humanities. It was basically a mini-Juilliard - an intense training conservatory for the arts.
One of the key differences between galaxies with super massive black holes is whether or not the black holes are lit up, because they are basically bingeing on a lot of material in its surroundings.
All business is basically about customers and marketing and making money and capitalism and winning and promoting it and having something someone really wants.
The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesn't obey the laws of physics, make sure that it has a fantasy explanation.
I love romantic comedies, or romantic dramas - basically anything with love in it.
There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
I think intelligence basically can be in a way defined by the possibility of having two opposite ideas living together and at the same time functioning. That's why I think a smart script has two things living in the same place, and they're absolutely contradictory.
Basically, the way I do it is I get to work with a bunch of people; get a bunch of great people together, and you'll be able to get something cool on the other side.
On a television show, you basically make a movie a week. Movies take three months - it's crazy. They're so slow, it's like vacation to me.
In my final year of college, I was interning with L'Oreal, when during one of the photo shoots, a photographer suggested I become a model. I was working under Smira Bakshi, who was this really cool chick, as she was loaded, had her fun, and was successful. I basically aspired to be her.
'The Room' is relationships. The room is you and me and everyone in America. That's basically what 'The Room' is.
I often find that superheroes are the bachelors or the billionaires - and everyone loves them. Peter Parker is basically the complete opposite. I just think that's what a lot of kids feel like as they're growing up.
