Zitat des Tages von Lasse Hallstrom:
I always try to preserve my cinematographic style, even while I work in the US. I wish to always be European.
I love involving actors at all levels - and they have to know that I want to hear their contributions, with dialogue, with story suggestions, with script changes, whatever.
I love improvising.
I imagined that it might be awkward to talk to your wife about her performance, so going into it I was a little nervous. But doing it was actually a wonderfully inspiring experience.
It's just, for me, the natural standard: a woman should be able to decide over her own body.
I'm on this diet where you're supposed to eat only fish and meat.
I feel the need to work with my wife, Lena Olin, again.
Kevin, as the whole cast is, just wonderful people and great people, and people who are attracted to this kind of material and accepting the idea of going to Newfoundland and knowing the kind of lack of amenities.
To see my wife getting inspired from my notes and thoughts, going in the direction I wanted, and have her surprise me with wonderful choices was a real treat.
I always need a couple of highlights to really spark the passion for a project.
My father was an amateur filmmaker who shot 8mm color documentaries.
It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.
A film that is bleached tends to have a more realistic quality.
I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances.
ABBA: The Movie; I got a lot of grief for working on that.
My films do have characters who have trouble escaping the world around them.
I love mixing amateurs and professionals.
Cinema has become a global economy, totally international.
I was always attracted by the European way of life, but I am deeply Swedish.
I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting.
I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.
I got to work with my wife, Lena Olin, for the first time, which was great. I thought it might be difficult in some way to talk to one's wife in a different way but it was so not forced.
But now I wish I could back to Stockholm to make international films there.
Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience.
My father would tell anyone who would listen that this dentist thing he was doing was not his passion; cinematography was.
But I notice that there is a lack of darkness in my movies and I don't know where that comes from.
I can't go back and label myself as an outcast because I was a pretty well-adjusted kid, but I can certainly relate to the feeling of being an outsider.