The music we made then was so amateurish, compared to the rest of mainstream pop or rock and roll. But what differentiated us from what everybody else was doing in the business was the fact that you could tell that these people came from different reference areas.
After being raised as an evangelical Christian, I for years assumed that Christianity was the default - there were Christians, and then there were weirdos. I was shocked when, in college, I found that some people get offended when you tell them, for instance, that their recovery from surgery was a 'miracle.'
I think focusing limits you. As long as nothing that I'm doing suffers from my ADD in wanting to do everything, then I want to just keep doing everything. It keeps it fresh and fun.
I remember, as a kid, riding in the back of my dad's old Saab 95 in Denmark. We were on the highway, and suddenly this silver Maserati Bora came upon us, then passed. At the time, to me, this car looked like a spaceship.
I think very abstractly when I'm writing. Then, as the project moves on, it becomes more like sculpting.
Carnegie Hall is as good as they say it is. It's not like Stonehenge which looks great in books but then you go there and it's a pile of rocks next to a highway. There's actually a highway right next to it, but you don't see that in pictures.
I believe that no man who holds a leader's position should ever accept favors from either side. He is then committed to show favors. A leader must stand alone.
We're not going to get humans to Mars until at least the mid-2030s, and the world is going to change by then.
I don't write just to be clever. But sometimes I do. And if you don't have an understanding of the language, then the way in which it's bent doesn't actually register. It's the old you-gotta-paint-like-them-before-you-can-paint-like-you thing.
For films, the process is that you work consistently and constantly for 3-4 months and then leave; whereas for a play, you prepare for about a month and then continue performing it for 5 to 6 months.
A lot of times, people think of selfish, and they think of offense, but you can be selfish on the defensive end of the floor, too. If you don't uphold your end of our schemes and your responsibilities within those schemes, then you're being just as selfish.
If you are approachable, if you keep your line of communication open, then very often, you get to hear what you need to hear.
I'm nostalgic for the future I knew as a kid. Back then, it was a lovely, bleepy, heavenly land populated by svelte men in white polo necks, who would lounge on big white sofas sipping blue wine from big glass globes, beside women like the ones on the covers of Hedkandi chill out compilations.
I used to think that I could be successful if I pretended to be a 23-year-old black woman. I wanted to find a young black woman who would be willing to go in on this with me. I would write her novels, and then she would do the touring. I always thought I was too old and the wrong color.
I would imagine that most of my writing is done spontaneously. I had no intention of writing, and then I'll just walk through the house, and I'll hear this melody, and I'll turn on the tape players and go back to it later on. Some days I'll get 3-5 songs a day.
I think I had a fur coat that someone bought me from Portobello Market back in the 1960s, but I think as soon as you think about it, what it is you're wearing, make that connection, then you realise it's just not right. I don't lecture people about it, but it's not something I'd ever wear.
I taught English, first at a Catholic school and then at El Toro High School in Lake Forest, Calif.
I don't like it when celebrities get voice work. But then again, if I was the producer, I wouldn't want a bunch of no-names doing my show and have to worry about word-of-mouth. I see both sides of the story.
I did years of summer stock. I sort of only wanted to be an actor. And then at 19, I was funny, and I had some of these bits that I did for friends, and I immediately could get on television.
When I was 15 or 16 playing in groups, we used to sit in the car and try to write the lyrics down as a song was playing, and we'd assign each person a verse, you know: 'I'm going to do the first one. You go for the second one.' And then sometimes you'd wait an hour for it to come on again so you could finish it up.
I didn't have an exhibition anywhere until I was 30. My first exhibition was at 30, and then for my first show in America, I'm 50. It's kind of all right: I'm just a slow burner.
When you're in a band with three writers, three great writers, you only get one third of the writer thing. So that's the whole reason that I did a solo career. And that's, you know, when I told Fleetwood Mac I was going to do that, they were of course terrified that I would do that record and then that I would quit.
My body back at the Playboy mansion was the most important thing in life back then because we were in the spotlight every minute. We had to look good. The girls who gained the weight, those were the girls who didn't get the work.
Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
Once your career is over, then you don't have to live up to anything.
If you are going to take away war toys, then what are you to replace them with? Children need to feel courageous, brave, and assertive. They need to feel strong; that is the purpose of their play.
My dad introduced me to baseball. Then one of my friends asked if I could play on a team; my dad said I could, and I just fell in love with the game.
If you leave me waiting 'round for hours and then call on me to do something, I need to be able to do it straight away. That's my job, like your job is to do what you do.
I didn't dream of being in television or film. But then I got married pretty young and had children, and I wanted to feed the children, so I worked a lot of film and television.
And then I think now we are - you know his - like I've always said. His spirit is so large that we feel his presence around the show, and we always will. He will always have a voice.
I've acted my whole life pretty much, but then just got more into modelling.
When it comes to writing musicals, you write the best piece you can. Then, its destiny is in the hands of the actors and the director.
If tolerance is the best we can do in this moment, then by all means let's be tolerant. But by stopping there, by merely tolerating each other, we miss so much.
I ran away from St. Louis, and then I ran away from the United States, because of that terror of discrimination.
A bowler is his own captain. I know what needs to be done, what the ball is doing. If you don't know where you are going to bowl and where you think the batsman will hit, then how can you tell the captain what you want? You are the judge.
I can't stay mad very long. I get grumpy when I read a bad review. I say, 'How could he say that about my music?' Then I forget about it. If I got mad every time somebody wrote something negative about me, I'd be exploding all the time. I'd be burned out just from reading reviews.
