Zitat des Tages von Albert Brooks:
Movies are an expensive business.
How many people didn't get a part who would have been better than the person who got the part? Thousands.
I studied acting at Carnegie Tech in Pittsburgh because I figured a good comedian certainly could act.
Nobody will leave any place unless they're forced out. That's the nature of humans. Once you're there, you're there. I've never seen anybody get up voluntarily and leave any place.
'Drive' came to me because the casting director knew my manager and called and said, 'You've always talked to me about Albert wanting to play the heavy. I think he should read this.' My ears just perked up.
When I die, if the word 'thong' appears in the first or second sentence of my obituary, I've screwed up.
Steven Spielberg seems to have wanted to be a director from 13. He put his dog in a certain position and made him eat at four o'clock. He liked to direct it. But, to me, directing is tedious. Especially if you're acting in it. And I'm inherently lazy.
You know, when cameras are rolling, improvisation doesn't feel natural. The pressure is too great. You're on a time schedule. You've got 60 crewmen.
Bullfights are hugely popular because you can sit comfortably with a hot dog and possibly watch a man die. It won't be me, but I can sit comfortably and watch it.
I guess I was the class clown - with a name like Albert Einstein, you don't hide in the back. I'd read the school bulletin to the class, and I'd add activities and make stuff up. It was good, a good 10 minutes every morning.
Even if you didn't see the movie, you'd see two words you'd never seen put together before - comedy and Muslim. Comedy is friendly - it's the least offensive word in our language.
If we had 3 million exhibitionists and only one voyeur, nobody could make any money.
I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
I've heard people say, 'There are no bad audiences,' but that's just not true. There are people who just shouldn't be together in a room, who produce a really bad audience.
I made my living in comedy, but I'm not a silly person. I've got all these sides to me. Even in my movies that I've written myself, the characters sometimes border on great anger or nutsiness or other kinds of behavior. I'm not just doing fart jokes for two hours.
Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.
I'm a member of the Academy, but I don't know who all the other Academy members are. It's not like a politician who knows who is in the Iowa caucus.
I'd still like to see 'Survivor' minus the planned show-biz parts. That would be the purest form of show business - I want to see someone so hungry that they eat somebody else's foot.
If people don't love what you're doing, that doesn't mean you're wrong.
I come from the place where I am thinking 'I have put my blood on the pages.'
I don't know; I guess they'll never make another 'Nemo.' I see they're making another 'Monsters, Inc.' I had a wonderful idea for them. I swear to God, I think there could be a great sequel to 'Nemo' where the fish never will leave home. He just won't leave. 'Getting Rid of Nemo.' Right, 'You're 30 years old! Get out of here!'
One thing about Los Angeles is it feels like it's not new. It feels like it's already been built, and it's deteriorating, except for the places they're trying to make nicer. But in general, you drive all through the city, and the city feels like it was new a long time ago.
Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.
It's better to be known by six people for something you're proud of than by 60 million for something you're not.
Basically, I still have the privacy that all celebrities crave, except for those celebrities who feel that privacy reflects some kind of failure on their part.
I never, in anything I've ever done, tried to get you to like it. I was never going to succeed at that. That's not the way most entertainment is made. Most entertainment is trying to get you. It's tested, like toothpaste.
I'm not interesting enough on my own that you'd want to see a film about me.
I never liked going in the ocean.
Even though my father was a radio comedian, it wasn't cool to say, at a young age, 'I want to be a comedian.'
My dad died right after performing at the Friars' roast for Lucille Ball and Desi Arnaz. I have that tape somewhere. There's still a lot of good jokes in there. I mean, that was 1958.
My father was very sick around the time I was born. The doctors thought he wouldn't live. He did recover, but I don't remember him as very active. I do remember lots of schtick around the dinner table. Generally, he and my brothers and I were all laughing at the same thing my mother did not find funny, whatever that was.
I think anger and laughter are very close to each other, when you think about it.
I'm not a big fan of the post-Armageddon stories, where Denzel Washington is walking around in a torn coat.
I've been to many funerals of funny people, and they're some of the funniest days you'll ever have, because the emotions run high.
I don't see many explosions or ten-car crashes in the course of my life, so I don't put them into my movies. I would love to live in a society where 'My Dinner with Andre' made $100,000,000. Then I would be in the mainstream. I could do that stuff easier than I could do 'Meatballs.'
I like movies about failing.