The Small Faces was such a different band than the Faces. I know three of us are the same, but when you take Steve Marriott out, it's a very different band.
A band asked me to go on tour when I was 22 and asked me to play drums, and I taught myself so I could go on this trip with these people. The drums found me; I didn't find them. When I started playing, I realized how appropriate an instrument it was for me.
Probably the reason it's a little hard to break away from the album format completely is, if you're getting a band together in the studio, it makes financial sense to do more than one song at a time. And it makes more sense, if you're going to all the effort of performing and doing whatever else, if there's a kind of bundle.
What I appreciate about Radiohead's work - and it's most evident in 'Hail to the Thief' - is how the juxtaposition of narratives on the band's albums somehow creates a sense of wholeness.
A band like Depeche Mode would go out and record them hitting a trash can with a steel rod or something and recording it. And that would be one of their sounds of the drums. I love the creativeness of that kind of really raw sampling.
We worked as a team... I was one of the band.
Being in a band is not about reality - it's a bit of a fantasy. I can't go on stage as my ordinary self and just play - I've got to become my 'superhuman self.'
The Animals were their own worst enemy. The Animals were a band that couldn't live up to their name. I was the singer in the band and as long as I was enjoying myself I would keep on working with the band. But it got to be rather nasty once the big money showed up - things started to turn toxic.
Being on the road is like a campout. I'm the only girl. The guys in my band are like my big brothers. It's definitely an adventure, but it can be a nomadic lifestyle.
The way that people have gotten on board with me is the most encouraging thing in the world, but it's all very connected to the 14 years I've been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers.
The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
There's a band of studio session - hot players - that play on my albums... They're an eclectic bunch of misfits that I've worked with for years and years.
I write music. I'm in a band.
I am just the band leader, and I just keep everything in tune.
From the age of four, I loved ballet and tap. I was in the school band, the choir, and all my school plays.
If you take a band like Nirvana, their biggest hits are structurally the same as even a hair metal band's biggest hits. The structure's not different - the attitude was different. Except it really wasn't. It seemed a little more human.
Nothing makes a man feel older than to hear a band coming up the street and not to have the impulse to rush downstairs and out on to the sidewalk.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
Working with the brothers can put pressure on my voice, so I choose to do my own solo thing so I can save my voice. I couldn't do both now. The Neville Brothers is a funk band; they play loud, and I have a strong voice.
My playing music is strictly for fun. When I was in a band, I was really excited to talk about it since I had never really played music to that extent. It was never meant as something I would consider as anything more than having fun with my friends. But I think I would enjoy writing music for the movies that I'm working on.
I wasn't really terribly familiar with the Beatles when I met George. They were just emerging. They certainly weren't as big as they became later on. I just knew them as a pop group, and that's all. I was keener on George as a man and a person, as opposed to someone in a band.
Also, we're all actually different blood types and we have one represented by each guy in the band.
The two basic social identities were Normal and Greaser; although a few sophisticated girls wore peace signs, hippies didn't exist, and while a seminal punk band, Iggy and the Stooges, was playing in nearby Ann Arbor, punk didn't exist yet, either.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
'Big Time Rush' was a great show, and I had some great experiences. It allowed me to become more of a comedic actress, which is also a great skill to have. But there wasn't a whole lot of tragedy in there. Not quite as dark as 'Red Band Society.' So I've been very lucky to have been able to grow in that sense, just through moving to FOX.
Class action lawsuits are an important part of our legal system. All citizens should have the right to band together and settle grievances with bigger companies, but that system is broken and it needs fixing.
I don't mind Ed Sheeran, but I wouldn't want to be compared to a guy that builds his song around a guitar, since we do not have a guitar in our band.
When I was a lot younger, I did some work with St. Jude's, but then we went on a 'Red Band' tour across the United States, and we went to a bunch of hospitals and had the privilege of meeting kids who are suffering or going through these different situations.
To me, a sure-fire way to get in a rut is by sitting around playing by yourself for too long. You've gotta get out there and jam, man! You don't have to necessarily be in a band, all you've gotta have are a couple of buds who play too. They don't have to be guitarists either; jamming with a bassist or a drummer is cool.
I've always wanted to pull off 'No One is to Blame' by Howard Jones. I've done that a couple times in solo shows, but I can't figure out how to do that with a full band and make it work.
I thought my goal in life was to be in a successful band, and I had got that, but I was as miserable as I had ever been, and I couldn't understand why that would be.
I remember reading an interview with Adele, where she said that touring was the loneliest thing in the world. All of her band are hired, so, really, it's just her. I can't imagine what that must be like.
Men are going to go out on the road and they're going to find other women. So if you really want to save yourself a whole lot of heartache, do not fall in love with somebody in a band. Just don't.
Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.
We have a certain bond that we don't have with anyone else on the planet. You just have that bond, that journey when you are in a band together.
When you're onstage with an electric band going through a massive P.A. system, it's very artificial. You can't really hear your own voice as it comes out of your mouth.
