Zitat des Tages von Trent Reznor:
What is exciting is taking back the excitement of being able to debut something to an audience in exactly the way you want to.
Apparently, the image of our president is as offensive to MTV as it is to me.
I was excited by the process of Pandora, which I still think is a decent product. Not as great in actuality as it sounds. After the first hour, its weaknesses start to show up.
Jumping through any hoop or taking advantage of any desperate situation that comes up just to sell a product is harmful. It is.
I watch people, friends of mine, and see how they portray themselves online and I find interesting that it's kind of a hyper-real version of yourself, how you'd like to be seen, in a way.
Frankly, I have always dreaded writing - there always seemed to be pain involved, unpleasant self-examination and a lot of fear.
My experience with record labels throughout my career has generally fallen into wishing I could do things that they're not built to do, whether it be arguing about having a nicer package - because I do believe some people care about that - to trying to always bank on art-versus-the-easy-commerce route; there's always been headbutting involved.
Balance is good, because one extreme or the other leads to misery, and I've spent a lot of my life at one of those extremes.
My dad and I are best friends. He's pretty much responsible for the way I turned out. He would provide a little artistic inspiration here and there in the form of a guitar, stuff like that.
When I was growing up, rock & roll helped give me my sense of identity, but I had to search for it.
I need boundaries. In the modern studio there are a bunch of instruments around me, and I can simulate anything I can't play, so sometimes the palette feels too big.
Today, if you do put out a record on a label, traditionally, most people are going to hear it via a leak that happens two weeks - if not two months - before it comes out. There's no real way around that.
And when the day arrives I'll become the sky and I'll become the sea and the sea will come to kiss me for I am going home. Nothing can stop me now.
Anyone who's an executive at a record label does not understand what the Internet is, how it works, how people use it, how fans and consumers interact - no idea. I'm surprised they know how to use e-mail.
When fame presented itself to me, I was not at a point in my life where I was equipped to deal with it.
I do remember my first purchase: the Partridge Family's 'Greatest Hits.' I got it for $3.99 at a failed chain of pre-Wal-Mart-type stores called Jamesway. God, I'm old.
After coming from a major label, I realized the entire business has been decimated, and you can't look to labels to try to figure it out because they don't even use the technology, and they're oblivious to how people consume music these days.
I think early on in my career, I was heavily inspired by bands like Throbbing Gristle and Test Dept, and films of David Lynch, for example, where the soundscape plays a very important role in the listening experience.
A lot of what I've done as Nine Inch Nails has been governed by fear. I was trying to keep the songs in a framework that was tough, and I learnt a lot from Jesus and Mary Chain about how to bury nice pop songs in unlistenable noise - the idea being if you can get behind that wall, you find there's a pearl inside.
I often find myself listening to a record because a lot of people or magazines have told me it's good and I'm supposed to like it, and I try to stay in touch with what's happening and I'm also a fan of music. I find myself trying to like something that I really don't think is that great.
The 'Downward Spiral' album was a record all about beating everybody up - and then 'Hurt' was like a coda saying maybe I shouldn't have done that. But to make the song sound impenetrable because I thought it was a little too vulnerable, I tried to layer it in noise.
You're standing onstage in a sold-out arena with people singing your music, and you feel like the loneliest person in the world. Because here's a party that, essentially, it's for you. And you still somehow feel like you don't belong there. Those people all have their lives and go back home.
I wanted to escape Small Town U.S.A. To dismiss the boundaries, to explore. My life experience came from watching movies, TV, and reading books and magazines. When your culture comes from watching TV everyday, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities.
I'm sure there is a group of people that assume Nine Inch Nails is just noise and chaos - or whatever it might be dismissed as, and sometimes is.
I was up above it. Now, I'm down in it.
One of the biggest wake-up calls of my career was when I saw a record contract. I said, 'Wait - you sell it for $18.98 and I make 80 cents? And I have to pay you back the money you lent me to make it and then you own it?'
I think the whole aspect of social networking is vulgar and repulsive in a lot of ways. But I also see why it's appealing - I've had that little high you get from posting stuff online. But then you think, 'Did I need to say that?' I've explored that enough to know to stay kind of quiet these days.
Now U2's not my favorite band, but I do respect them, and in the same way I respect Bowie: They change without fear of change.
This isn't meant to last. This is for right now.
Being in a band with my wife, I'm very aware of the multitude of ways that can go wrong. We're best friends and are interested in the same things, so it's natural to make music together.
Books are better than movies because you design the set the way you want it to look.
I do actually believe in love. I can't say that I'm 100 percent successful in that department, but I think it's one of the few worthwhile human experiences. It's cooler than anything I can think of right now.
For me, 'The Social Network' isn't about Facebook. It certainly isn't about how people use it. It's about a flawed character and his pursuit of that grand idea that defines him and validates his life and how far he'll go to get it, and the repercussions that come as a result of that - what he gives up in the process.
I feel uncomfortable because I'm insecure about who I am.
I think it's easy to make impenetrable music that nobody can get, and you can hide behind that sometimes.
When I sit down to make a set list I usually think, 'We'll build it up here, take it down here, go into a quiet section here, explode here,' in a way that there's a flow and it doesn't feel like shuffle on an iPod.