When I see three balls, I just swing at the middle one.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
I see myself out of my own eyes, which means I have no idea what's going on the other way around. I just think I try to be a good person - and I fail.
Now I see that going out into the testing ground of men it is the tongue and not the deed that wins the day.
I'm bicultural, and everyone sees me as a Latina, but in my head I see myself as both Latina and American.
I am not a yachting person, by nature, but I have just enough experience on the sea under sail to feel a certain nostalgia for it when I see a big white racing yacht heeled over at cruising speed on the ocean, and I can still tie a mean bowline knot on just about anything in less than 10 seconds.
When I see the American flag, I go, 'Oh my God, you're insulting me.'
I do make some conscious efforts to write female friendships, intergenerational female friendships. I make a conscious effort to include things that I see as important real parts of my life that are not reflected as much as I think they should be in popular culture. We very seldom have the opportunity to see women compete and remain friends.
I see things about the present more clearly when I'm looking through the frame of the past: I think it's very hard to assess the present moment that we are in.
Inventions have long since reached their limit, and I see no hope for further development.
Nevertheless, there is another threat on the horizon. I see this threat in environmentalism which is becoming a new dominant ideology, if not a religion. Its main weapon is raising the alarm and predicting the human life endangering climate change based on man-made global warming.
I paint what I see, not what a camera would see.
In the world of literature, I see prizes as more of a duty to the craft itself, rather than as something for the individual.
I'm in the middle of a 25-city book tour, and I like watching what people buy in bookstores. I see people buy books that I strongly suspect they will never read, and as an author, I must tell you, I don't mind this one bit. We buy books aspirationally.
Only in a popular war against France... do I see a misfortune.
I see America spreading disaster. I see America as a black curse upon the world. I see a long night settling in and that mushroom which has poisoned the world withering at the roots.
In therapy, I see myself in the mirror differently.
I can't say that I am a DVD junkie. I see most films that I want to see in the theater, and so most of my DVD-watching is catching up with the occasional movies that I missed or revisiting a film that I really care about, in which case I really want the extra channels, because it's a movie that I already love, and I want to know more about it.
My strength never came from political echelons, it came from the family. And from the fields and the lands and the flowers and everything I see there. My strength came from there.
I see the poem or the novel ending with an open door.
In terms of style I typically veer toward a certain masculinity. My style inspirations range from images of my father in his 1970s suits, to Tilda Swinton, to Hugh Hefner, to Sharon Stone and her ferocious sexuality, to handsome men I see on the streets of New York.
Sir, I see a lot of documents in my day-to-day business, and I can't tell you every document that I've seen. It may have passed across my desk. It may not have passed across my desk. I truthfully cannot answer that question, other than to say I don't remember.
All my life, I've had these flashbacks, these dreams, nightmares, daymares, like visions, where I relive certain plays. Only the bad plays. I see them over and over, as if somebody's rewinding a tape and forcing me to watch.
I just sort of follow my bliss, so to speak, and then I see where that takes me.
Performing a song is intense. When I see people connecting, it makes it all worthwhile.
I actually went to drama school at the Royal Scottish Academy of Music & Drama in Glasgow, so I stayed in my home town the whole time. However, I see more of my friends now than I did then. It's strange.
It's like climbing a staircase. I'm on the top of the staircase, I look behind me and I see the steps. That's where I was.
When I'm out with my girlfriends at the bar, and I see some young 18-year old boy, just for fun I say, 'Hi honey. Do you like girls? Do you like girls exclusively? Oh, good.'
The New Age movement looks like a mixed bag. I see much in it that seems good: It's optimistic; it's enthusiastic; it has the capacity for belief. On the debit side, I think one needs to distinguish between belief and credulity.
I see myself more as an action director. All right, I do enjoy intense, bloodthirsty action but I like to blend and cross genres. I don't want to be too predictable.
Art is interesting because there can be so many different perspectives in a piece of art. The way I see it may be completely different than the way somebody else sees it. It's interesting to hear what somebody sees in a piece of art compared to somebody else. It could be completely different, and that's interesting to me.
When I see something I like, I buy it, but I do not look for it madly.
I love a star print. I always get a lurch if I see a nice one.
When I see friends from school I think they've all grown old and I've stayed the same.
I've always said I can't tell sometimes that people even have an album out until I see them nominated for a Grammy. I think country gets dumped on across the board by the Grammys.
It doesn't matter to me if I'm in love with my performance, so I watch all of my performances to understand and learn from them and figure out what's working and what's not. And I see the movies that I'm in in the theater a lot.
