Zitat des Tages von Ethan Hawke:
If you're not a real chameleon of an actor and if you're not one of those guys who can really shape-change themselves all the time, one of the ways to keep pushing yourself and keep changing is to be in different kinds of movies.
In your mid-twenties, the paint is still wet on who you are.
One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.
I have had so many bad auditions.
In New York, you've got Donald Trump, Woody Allen, a crack addict and a regular Joe, and they're all on the same subway car.
I thought I was so much smarter than everybody. And I'm not.
I've had a lot of experience in independent film, and about how to choose. You've got to be very discerning about where you put your five bucks, and where you cut and what you don't cut.
There's some kind of actors that can radically change who they are from movie to movie. I've never really been that kind of actor. I enjoy changing the worlds that I'm in.
The older I get, the more I realize how rare it is to meet a kindred spirit.
I always felt that a marriage works best at a farm... where you're together and everybody has clear-cut roles; they have chores, 'you take care of this' and you know. But it's hard.
I remember being a kid and sleeping over at my friend's house and staying up late and watching 'Nosferatu.' Vampire movies are supposed to be secret and bad. They should be rated R.
When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.
Right now, if you're interested in being a dramatic actor, they're not making that many just regular dramas. Movies have to have some other thing going on.
To get to be somebody who gets to love what they do for a living, that's so rare, and so there must be some kind of price you have to pay.
As a young man... you don't know anything about yourself. And add on to that, you're on the cover of magazines. People are interviewing you about what you think. You feel like a real phony.
We live in a funny time. If you don't go corporate, you can't compete. You're relegated as irrelevant. People used to admire that.
Nothing teaches you like getting leveled. And I got leveled in my early 30s. Nothing went exactly the way I thought it would.
I met a lot of famous people when I was about 24. And none of them seemed very appealing. And so I didn't know why I would struggle to be that kind of person.
When you do 'Before Sunset,' you know while it's a limited audience, there was a very small group of people that love 'Before Sunrise.' You feel a certain pressure to make sure that you uphold a level of quality that has been a bar. You set a bar and you have to at least match it.
I did one sci-fi movie. I did 'Gattaca.' I liked 'Gattaca' because that was always the kind of science fiction I really dug, the non-action oriented sci-fi.
Everyone has to pay their child support, and no matter if you're a Hollywood actor or anyone else, it's always a little bit more than you want to pay.
It was never in my dreams to make my personal life anybody else's business.
If you can understand the inner life, then you can wear the uniform, the tattoos, or whatnot and realize that the things that are different about us become superficial.
My relationship to reality has been so utterly skewed for so long that I don't even notice it any more. It's just my reality.
I'd be lying if I said I had confidence in every choice I've made, that I have faith in every film I do on every shot.
I auditioned for Robert Redford once and I was so starstruck I couldn't even speak. I had a mic wire at a screen test clipped to me and then I got kind of nervous and I paced in a circle and then took a step and tripped and fell on my face. You just have to forgive yourself and keep going on.
I was being taken around by a press agent at the Venice Film Festival at age 18. Was it fun? Sure. But it was a dangerous path to be walking on as far as having a substantive life. Because the casualty rate at the Venice Film Festival for 18-year-olds? High.
Right now the only people I can really fall in love with are people who don't really, truly want me around. Now why do I do that?
Some people burn out, and some people like Clint Eastwood, he was a wild, international movie star in his 30s, and he's doing the best work of his life now. Go figure.
I don't know what has happened to movies, but lately every movie is at least 20 minutes too long. It used to be that if you were three hours long it was because it was epic - a movie about Gandhi; something with very important subject matters.
The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.
If I do three movies in a year, I don't feel like acting ever again.
The biggest problem in my life is trying to be the kind of man that I want to be, the father that I want to be, and how to process the failure of my marriage.
You know, I auditioned for 'Titanic.' Sometimes I muse on what would have happened. That would have been such a different life.
If my kids are doing well, then my life is going pretty well. And if my kids aren't doing well, it doesn't matter how the other elements of my life are. It's kind of amazing to have a context like that. This is really wonderful.
'Brooklyn's Finest,' this is the kind of movie that's why I want to be an actor, to tell real-life stories. This is where I feel my job is, to interpret life.
