Having recorded his first album, 'Tapestry,' in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the 'generation lost in space.'
The first time I came to New York in 1952, I was busy with music. I made the acquaintance at this period with John Cage, and also the acquaintance of Varese for the first time. We were very good friends. He gave me some scores, and we recorded them a little later.
I stole a little snow globe from the set of the first 'Pitch Perfect' that I don't think ever made it on-screen, so it's not like fans would be tickled by that information, but I still have it.
I was very fortunate to grow up with parents who love to travel, so I traveled from a young age. My dad's a heart surgeon and goes to conferences all over the world. By the time I was seven, I traveled outside the country for the first time. We went to Paris. The next year, we went to London, and then Brussels.
At school, myself and some pals, all football-daft, divided up the old English First Division and wrote off to half a dozen clubs each asking for a trial.
There is something inexpressibly sad in the thought of the children who crossed the ocean with the Pilgrims and the fathers of Jamestown, New Amsterdam, and Boston, and the infancy of those born in the first years of colonial life in this strange new world.
I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.
The first Western teacher of English in Japan was a Native American.
I had an invitation to contribute a track to a Robert Johnson tribute album, and it was the first time I'd done anything like that in my life. I was not brought up with the blues or anything like that, and I really, really enjoyed it.
I have too many friends who tell me that they spend the first hour of every morning going through their e-mail messages. I'd like to use my time more carefully.
Classical pianist Awadagin Pratt. I first heard this eccentric and introverted performer when I was living in the Midwest. He was playing Brahms ballades - haunting.
I started working at a soup kitchen in skid row of Los Angeles when I was 13 years old, and the first day, I felt really scared. I was young, and it was rough and raw down there, and though I was with a great volunteer group, I just felt overwhelmed.
The main thing I look for in a recipe is taste, which is different from caterers and restaurants, who first ask 'How does it look?'
The Bourbon King was first ambassador of reason and human happiness.
My father was raised in an orphanage, and my mother was an immigrant from Poland whose first childhood memory was of hunger. Somehow, despite all of that, I am called a member of the 'elite.' If so, I damned well earned it.
I'll play first, third, left. I'll play anywhere - except Philadelphia.
I remember once, actually the first race I ran, I fell.
'The Exorcist' is absolutely my favorite horror film, and I watched it when I was, like, seven years old with my mother for the first time. I don't know why my mom let me watch that. I couldn't go to the bathroom by myself. I couldn't go upstairs by myself. I couldn't sleep.
The pond-lily is a star and easily takes the first place among lilies; and the expeditions to her haunts, and the gathering her where she rocks upon the dark, secluded waters of some pool or lakelet, are the crown and summit of the floral expeditions of summer.
In any restaurant, my eyes alight first, as if by an atavistic pull, on the meat dishes on the menu. In any dinner party I throw, I think of the non-vegetarian dish as central. I view this as a combination of weakness, greed and moral failure. Someone please help.
Sure, 'An Inconvenient Truth' was my first documentary. What a wonderful experience. I saw Al Gore doing his slideshow presentation, and had this nutty idea that we had to make a movie out of it.
Up until college age I was using the typical little-boy dummy that sits on the knee and makes woodpecker jokes. My first original character didn't happen until later, and that was Jose the Jalapeno on a Stick.
The joy of 'Crash' was that it was all about the work. It was my first real part. Before that, it was a line here and there, maybe a scene. 'Crash' was five scenes, a beautiful arc, a little vignette of my own. It really meant something.
You know when you first get rich, and you, like, just buy everything that you see? I did that for several years. And I have sheds full of things, maybe sometimes nine copies of the same thing.
I grew up dancing, so that was always my first dream. But I also have a passion for acting. I would love to step inside of a character and be somebody that I'm not, because I feel like it just gives me an outlet to express myself without being me.
When I first knew I was having children, I thought I wanted boys, but then I thought I'd be better with girls. I'm quite sensitive, and you get more cuddles with girls. And they like their dads.
I became a teacher all right. I wanted to become a teacher because I had a misconception about it. I didn't know that I'd be going into - when I first became a high school teacher in New York, that I'd be going into a battle zone, and no one prepared me for that.
I've always freelanced as an actor, and you always have to worry about the next paycheck. When I booked 'True Blood,' I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.
An astrolabe is relatively unknown in today's world. But, at the time, in the 13th century, it was the gadget of the day. It was the world's first popular computer. And it was a device that, in fact, is a model of the sky.
I ran my first marathon in Florida in 1985. I had never run more than nine miles.
The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'
First of all, I yell very little, just so you know. Maybe years ago I did more, but I yell very little.
My mother was the first singer I had contact with. She sang constantly to us around the house, in church.
I grew up on the Bond movies. The first one I saw was 'Diamonds Are Forever,' when I was a kid. I just loved them to pieces.
Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.
Painter after painter, since the beginning of the century, has tended toward abstraction. First, the Impressionists simplified the landscape in terms of color, and then the Fauves simplified it again by adding distortion, which, for some reason, is a characteristic of our century.
