Hollywood people are filled with guilt: white guilt, liberal guilt, money guilt. They feel bad that they're so rich, they feel they don't work that much for all that money - and they don't, for the amount of money they make.
I was in the trade field as White House fellow in the first Bush administration.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal.
In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.
I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
If the Great Spirit had desired me to be a white man, he would have made me so in the first place.
You have a plantation where you have 10 white people and you have about 50 or 60 black people. The automatic thought was, 'Why didn't they raise up? Why didn't they overpower? They had the numbers.' But really these people, their hope was broken. Their sense of love was broken. Their appreciation for who they were was broken.
It's been a struggle for me because I had a chance to be white and refused.
You're going to see a rise of the white male voter who feels like they're not secure, their country has been taken away. They cherish the American flag. They have fought for the American flag. They have fought for the American idea and the ideal.
My spray-tan woman is amazing. She comes to my house at 10 o'clock the night before a shoot. The results are so brown, flawless, and natural. It's just weird because my natural skin color is very white, almost whitish yellow.
If I were white, I'd get less criticism.
My dear brother Barack Obama has a certain fear of free black men. As a young brother who grows up in a white context, brilliant African father, he's always had to fear being a white man with black skin. All he has known culturally is white. He has a certain rootlessness, a deracination.
From the beginning, it has been a no-no for a black man to touch a white woman.
Maybe black and white is the best medium for landscapes, I don't know.
From space, the earth appears predominantly blue; the clouds are brilliant white. Surprisingly, you don't see much green, although Ireland looks green, and so do Scandinavia and New Zealand. The deserts are brick red and really stand out.
John F. Kennedy brought style and charisma to the White House and a first family that captivated the country: a handsome, witty president, an elegant first lady, and two adorable young children.
Unless we make Christmas an occasion to share our blessings, all the snow in Alaska won't make it 'white'.
I don't listen to music made by white people. I especially hate anything where a guitar is used. I don't listen to white people and guitars.
During the decades after Brown v. Board of Education there was terrific progress. Tens of thousands of public schools were integrated racially. During that time the gap between black and white achievement narrowed.
But, on the other hand, I get bored with racism too and recognize that there are still many things to be said about a Black person and a White person loving each other in a racist society.
Everybody says it: black, white; everybody calls me a legend. Italians, Jews. Everybody.
Any time you stop looking at evil as a black and white thing, it's helpful. So the fact that there won't be any obligatory Islamic terrorist stereotypes in movies any more, that'd be helpful.
The answer to neofascism is stopping neoliberalism. Putting another Clinton in the White House will fan the flames of this right-wing extremism. We have known that for a long time ever since Nazi Germany. We are going to stand up to Donald Trump and to stand up to Hillary Clinton!
I think one of the nicest things that we created as a generation was just the fact that we could say, 'Hey, I don't like white people.'
You don't change minds in Washington with sweet reason. You do it to the white light of public opinion.
So the mayor of New Orleans would have used his own buses had the people had been white?
We have but one flag, one country; let us stand together. We may differ in color, but not in sentiment. Many things have been said about me which are wrong, and which white and black persons here, who stood by me through the war, can contradict.
I'm aiming to become the white Oprah.
We gave up some of our country to the white men, thinking that then we could have peace. We were mistaken. The white man would not let us alone.
I have never been so calculating as to sing some Barry White song to get a girl. But I do think it's very romantic to cook dinner and sit around the piano at night and sing together.
Some people in this nation believe that race is a significant factor in the constant attacks against President Obama. Others believe that these attacks reflect only the normal level of criticism aimed at the occupant of the White House.
I think this is the most extraordinary collection of talent, of human knowledge, that has ever been gathered at the White House - with the possible exception of when Thomas Jefferson dined alone.
We're about to shoot an episode on Air Force One, for instance, and we're going to take liberties, small liberties, with Air Force One, as we take small liberties with our White House set.
Sometimes it's not even a role that's specifically written for a woman. It could be a role written for a white man or Asian man, or Latino. If it's something that I feel I could do well, I go after it. Especially if it's nothing that has to be gender or race specific, I'm all over it.
I got hooked into folk music by accident, because that's what white college kids liked when I was a child.
I have never experienced racism in the feminist movement, so it concerned me to think that I was unable to see the subject clearly because I came from white, middle-class privilege.