That's the thing about leaks: sometimes they aren't misinterpreted or false. They're real story elements that the filmmakers were hoping to introduce to the audience in a darkened movie theater.
Opera combines pretty basic theater and poetry, but the storyline itself is actually quite poetic and, after some digital research, taking that actual content and seeing it as undeniably poetic.
Here is something no real celebrity will ever tell you: film acting is not very fun. Doing the same thing over and over again until, in the director's eyes, you 'get it right' does not allow for very much creative freedom... In terms of sheer adrenaline, film has absolutely nothing on theater.
I had always done theater during the entire six years I was with 'CSI: Miami.'
The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
I don't think that theater is the higher medium, that it's better than film.
We go to the theater to be entertained, but if what is left after you watch the movie is a sort of eye-opening perspective on some social issues, then it can be a really powerful piece of art.
The beauty of theater is that you get to live the character from beginning to end without stopping. The natural momentum of the story propels you through in such a way that feels organic.
Sir Larry could be very strict and a disciplinarian, too. He had many faces; he wore many hats. But, ultimately, he loved the theater and he loved actors.
I love TV, don't get me wrong. But with film, you're just banging out this one product, and you're not waiting on another script. You have your script. It's great in that way. It's as close to theater as you can get.
I schooled in Himachal Pradesh. I had taken up science and, initially, wanted to become a doctor. There are few career options for students of science though, so I shifted to Delhi and decided to try theater instead.
Violence and nonviolence are, after all, two different forms of theater. They both depend and thrive on the response of an audience.
I would say I've actually done a lot more comedy than I've done drama. It's weird the way that worked out, because when I came out of theater school I took myself way too seriously, so it's kind of ironic that I ended up sort of going down the comedy path.
I grew up going on vacations with my family to New York every summer, and it's something that I always looked forward to. They'd take me to theater and shows and interesting restaurants, so I was genuinely really excited to move there.
I decided at age 9, but I was reinforced at age 13 when a teacher told me I had talent. I can't say she really motivated me because I already knew. I knew I had talent. I went to the Jewish community theater and got in plays there. Then I went for the movies.'
When you play arenas you can create whatever you want. At a theater the height of the stage and the limitations of the theater can make you feel more separate from the audience.
I was a kid who would try anything, and I said, 'Sure, I'll try theater - sounds like fun.'
I've dedicated more than 15 years to this theater and television thing; I want to spend the next 10, 15 years or so devoted to music.
When I was coming up with the Hal Hartley films, I was cast as a no one. I had no name visibility. I was working at a downtown post-performance-art, avant garde theater company and doing a couple things on television. But I was a total unknown.
At age 12 or 13, I wanted to design for showgirls - for the theater!
I love the immediacy of an audience being there and reacting. I'm spoiled, having grown up in theater.
I saw things at an early age because my mom was a theater actress. I did a play with her when I was 10 years old.
I went to a performing arts school, and we studied musical theater, jazz vocal performance, and they kind of start you out on those things because they feel like it is a good foundation, and it was.
Ingmar Bergman had a great sense of humor, and he had a very special, characteristic laugh that you always recognized - if he went to watch a theater show, 'Ah! He is here tonight.'
I believe people leave a theater bonding with characters. Story is the vessel that carries character. Comedy is a very important component of expressing character.
My mother came from an Irish family of 11 kids and, of course, had a sister who was a nun, so I spent time at a convent and with an aunt and uncle who lived in New York and took me to the theater.
I've directed a couple of times in the theater, but I wouldn't make a habit of it because it's too consuming.
I don't find anything interesting about the choices a character faces in major films or theater projects. The characters are just cut-out dolls with the American flag sewn on them.
When I was in college, I was in the theater department, which for anyone who has been involved in any kind of theater program, you know that it's really wacky and tight-knit, a real family. Me and my good friends from college would do random shows and plays that were sometimes serious, but most of the time really goofy and funny.
Theater is an engagement between the actor and the audience. Film is a different sort of medium. It's not immediate, but in some ways it's more involving.
I prefer the paycheck of television and the experience of theater.
What I love about doing live theater and the same material night after night is... you can live inside the same words. There comes a great joy in that, in making it so clear because you've had the time to define it.
Theater is a way to keep challenging myself.
I love theater. I really want to go back to it.
I haven't been offered a lot of comedy. In theater, I've done quite a bit of comedy or dramas that included a lot of funny stuff. But in my TV work, those aren't the roles that I've been offered.
With 'Girls'... I feel like there's an impulse to try to make it look better or neater or more perfect, and when I watch theater, television, movies, it's always the imperfection I'm always more attracted to.
