Zitat des Tages über Theater:
I did a lot of small black-box theater in New York when I was starting out. I'd get a group of actors together to do workshops and readings. And I ended up directing three or four productions.
I was trained as a neurologist, and then I went into the theater, and if you're brought up to think of yourself as a biological scientist of some sort, pretty well everything else seems frivolous by comparison.
Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.
'Killer Joe' was originally written in 1991 and first produced in '93 at the Next Theater's Lab - a 40 seat black box theater in Evanston, Illinois - back when I was getting started. I was just 25 and I had been acting for awhile, but it was my first play and the one that really got me noticed, especially by Steppenwolf.
Dance, vaudeville, drama, movies - as a child I loved everything that went on in a theater.
The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.
I've actually seen a good amount of the shows at Lincoln Center Theater. I went to school right across the street at Juilliard, so some of the first stuff I got to see here in New York was at the Lincoln Center Theater. I've always been inspired by the work that they do.
The chief characteristic of 'The Tribune' under Greeley was an aggressive and even ostentatious purity. 'Immoral and degrading police reports,' and any notices of the existence of the theater, whether in news or advertising, were at first scrupulously excluded.
I had given up the theater and everything propelled me into entertainment. And I didn't resist it.
Except here it's more power, more energy, younger and also in Europe it's still not only entertainment. Theater or films are looked at as a moral institution. That's why maybe they're so poetic. Here it's clear entertainment.
Promises are like crying babies in a theater, they should be carried out at once.
And to Shakespeare I owe my vision of the world as a theater, wherein all humans are acting out their parts.
In theater, the wellspring of the character comes from the doing of it, like a trial by fire, but in front of an audience.
A lot of the shows that really become hit shows are often demonstrated, like Mystery Science Theater.
Wouldn't it be grand if we thought that theater could have that impact on the political life of a country?
I was a total education geek. I loved school. I loved learning. I loved doing homework. All of my books and notebooks from high school are underlined and highlighted and there are notes all over the margins. And you know, I was a theater kid too. I was all over the place.
I was 20 years old, working as a roofer and a telemarketer and driving a taxi, just barely getting by. A friend of a friend suggested I try acting. I was like, 'Why? What am I going to do? Community theater?' But I took a class, and the teacher thought that I had potential, so I moved to Vancouver and started auditioning.
I grew up in the theater and danced ballet atrociously.
At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I was here at five-thirty, and it wasn't that I needed to vocalize, because I was all warmed up. I couldn't wait for it to begin.
It's interesting - years ago, I had such bad stage fright during musical theater auditions that I just gave up. And now I'm on Broadway.
To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'
In Michigan, if you want to act, it's local theater, it's high school theater and it's going to camp and putting on plays in the summer, and I always loved doing that. There was something that just drew me to it.
Unfortunately I put the opening date on the 5th of December 1941 and on the 7th of December the Japanese bombarded Pearl Harbour. My dream of a theater in Washington D.C. came to a prompt end.
I love rock and opera, and I love musical theater, and I don't want to lose any of that.
When I started, I was a theater actress, and there were roles that I couldn't imagine not playing, like Rosalind in 'As You Like It.' I used to think I would die if I could play that. But then I started doing movies, and I had children, and I moved to Los Angeles. And now I kind of can't remember what those roles would be.
I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
I did musical theater, and I did dancing for what it was at the performing arts high school that I went to. I went to a school where I was there on a scholarship. So I think when you're on a scholarship, you always work a tad harder, or you want to work a tad harder than the next person.
I went through a few phases of finding myself: I dabbled in musical theater, chess club, dance troupe, splatter-painting, school mascot (go Wildcats), babysitter, photojournalist, drill team girl, emo kid - and not one of them defined me, but every single one will always play a part in who I am.
Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
This is what I've always wanted to do ever since I was a little girl. Coming from dance and theater and what was accessible to me in my hometown, it was all I did after school and on the weekends. The idea of making my hobby into my job was the ultimate quest.
I write, I teach, I direct. I sail around the world for Holland America two months out of every year doing a seminar where we discuss film or theater and do improvisations.
One of my comics is read by more people - around 70,000 - than will see my entire run at Manhattan Theater Club. That puts things in perspective.
I always envisioned working in film and in theater. Theater and film are not, they're not in any way substitutable. What I love about theater is so different from what I love about film, and I enjoy the craft of both.
When I was a teenager, I began to settle into school because I'd discovered the extracurricular activities that interested me: music and theater.
With acting, it was really more of a general kind of experience of really just loving being in the theater.
