Zitat des Tages über Straße / Street:
England used to be known for making beautiful things. Then we became the rag trade, known for our street fashions, which were picked up around the world. I want us to be recognized for quality. We have the hands to make the clothes. What we need is the motivation.
People can say or think whatever they want... so in my reality, it's kind of irrelevant. I'm always the kind of person that does the right thing and keeps my side of the street clean.
For my generation, the bomber jacket is like a replacement for the suit jacket. It's a piece that men wear every day, and it's something that I would wear for any occasion, whether it's on the street or going to an awards ceremony.
I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.
On Wall Street he and a few others - how many? three hundred, four hundred, five hundred? had become precisely that... Masters of the Universe.
I walk out my front door in New York and I'm out on the street and there are people everywhere. L.A. is so much more spread out, so it's really easy in L.A. to have a little more isolation and to just not see as many people.
I've actually seen a good amount of the shows at Lincoln Center Theater. I went to school right across the street at Juilliard, so some of the first stuff I got to see here in New York was at the Lincoln Center Theater. I've always been inspired by the work that they do.
No one wants to read a story where I saw a cute puppy on the street and I petted it. I mean, that's not funny. I only write about the funny stuff.
I always had the most fun going to the beach on the weekends with my friends. In a way, we treated our beach style the way New Yorkers treat their street style, so I was always conscious of how I looked.
When I'm in the studio, I'm strictly thinking about the beats, the rhymes and the song. The decision I make once the songs are created, and there's a barcode put on the package, and I'm out there in the street selling it, those decisions as a businessman are different than the creative decisions you make.
Because we were all from Liverpool, we favored people who were street people.
Life is a dead-end street.
I was offered a job on Wall Street by my uncle. But I wanted to get out. Make-it-on-my-own kinda thing.
We impugn the private sector, we impugn main street America, and the bureaucracy cannot be held to any different standard whatsoever.
The arts can play a vital role in revitalizing neighborhoods, using and improving vacant space, bringing new jobs and new sense of opportunity, and improving public safety by generating more foot traffic and more eyes on the street.
Recently, my personal advisors have been telling me to go to America. Actually, people have been walking up to me in the street and telling me to sod off, but that's the same thing, isn't it?
When I got to college, acting suddenly seemed like a very risky proposition and all my friends were going to law school or med school or Wall Street.
In a democracy, when you get 20 million people in the street, you resign.
I was street smart, but unfortunately the street was Rodeo Drive.
It is harder to lie in an interview. A good interview - and it can be polite - is not a one way street like a candidate controlled ad. An interview is not programmed by the candidate and so the candidate can't be exactly sure what will be asked.
A man in the house is worth two in the street.
What I don't understand is these people who go on the street wearing riding clothes, and they have never been on a horse. They ought to have their heads examined, really. It's a joke. But, let's face it, we live in a fantasy world.
One restaurant I visit without fail, whenever I'm in the Bay Area, is the Boulevard at 1 Mission Street, a few strides from the waterfront. It has excellent food and wine very much in the modern California style, but I go there less for any one dish than for the pleasure of dining with the restaurant's chefs.
You could make a case for job creation or education, police on the street, but none of those things can happen unless we got our financial house in order.
In the mid-'60s, I quit school and wandered across the country, hitchhiked back and forth a few times, and ended up in hippie times, in the street in Toronto, in Yorkville.
I'd grown up in the U.K., where the surveillance apparatus went into place in the 1970s in response to the Troubles with the IRA. When I was a kid, we moved to Chicago, and I was surprised to see you could live in a large city in which you didn't have cameras on every street corner.
We were only allowed to watch Sesame Street and Mr. Rogers and 3-2-1 Contact!
I think the moral majority and religious right have been shrinking and having not quite as loud a voice in America, and all of a sudden people are coming to their own realizations going, 'Joe down the street is gay and he's a great guy.'
Street artists need to get back to actually doing things on the streets instead of in the galleries where they all seem to be ending up. I hope this term 'street artist' falls from the face of the earth, in my honest opinion.
It's kind of hard for you to be doing huge things and still be knowing what's happening on the street level.
When people call something a 'fail,' it's because you tried to accomplish something but didn't make it. If you're just walking down the street and something bad just happens to you, that's not really a fail on your part. You might call that situation a fail.
An unregulated derivatives market essentially gives Wall Street a way to place hidden taxes on everything in the world.
I think any performing artist can do films, or, as a matter of fact, anybody out there in the street can be a film actor with no experience whatsoever if you've got a good director.
I get a lot of letters. Not only from children but from adults, too. Almost every week, every month, clippings come in from some part of the world where ducks are crossing the street.
I don't know if I felt successful, but I did feel a difference in my career, or in how people perceive me, or how people reacted on the street right after I did the Mexican version of 'Ugly Betty.' That show was a complete success, thank God. It broke historical ratings records in Mexico and also the U.S.
I met in the street a very poor young man who was in love. His hat was old, his coat worn, his cloak was out at the elbows, the water passed through his shoes, - and the stars through his soul.
