I hate it when you are watching a movie where the characters are on the news, and for some reason they shoot it with a 35mm camera or a 4K camera, and they just put it on the TV as if that's the way it would look - it always takes me out of it by putting a filter on certain things. If it's too high quality, you're never gonna buy it.
I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.
I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.
I wrote a novel, Ghost Road Rules, and as soon as it was done and polished, I began reaching out to agents. I ignored the frequent advice to 'shoot low and try for a low-level agent because they're the only ones that will take a flyer on a new author.' That sounded like bad advice to me.
For whatever reason, from a young age I've always been able to shoot images and cut them together with sound in a way that was very engaging.
If I want to shoot my daily look, I just put it on Instagram - not on the Web site.
Yeah, I shoot. I shot with my dad a little bit when I was little. He was a Marine, so it wasn't like he would take me to the ballet. We would go to a shooting range. It was the only thing he knew to teach his little girl how to do.
I shoot reality-based movies, and in actual locations, shooting them with a star is next to impossible.
I got invited to the Playboy Mansion with the Lonely Island guys after their first season on 'SNL,' and I sat in the corner drinking coffee and talking to Akiva Schaffer about what aspect ratio he was going to shoot 'Hot Rod' in. Like, that's what we talk about.
When I shoot at the range, I don't feel personally powerful but like the custodian of something powerful. I feel like a successful disciplinarian of something radically alien and potent. Analyze this sensation all you want; you still can't make it go away.
You didn't have to go on location if you could just shoot down City Hall, LA.
One of the worst things about being an actor, besides people being nice to you and getting free stuff all the time - but really, one of the worst things is not knowing what's coming next. You could shoot a pilot, and they could have you on hold for six months waiting to find out what is going to happen with the show, and you're locked into it.
Sometimes you shoot for 40 or 50 hours for a one-hour show, and you have to make some very hard choices.
I don't attend parties. After the day's shoot, I go home and spend time with my family. I never take my work home, and neither do I involve my family in work.
Focus on eating real, whole, natural foods. As I love to say, if you can pick it, pluck it, milk it, or shoot it, you can eat it!
M&S clothes just get better and better, year after year. I'm always begging for stuff from every shoot we do.
I have a great little camera, and I had a theory that if the story is interesting, it doesn't matter what medium you shoot it on. You just have to make a good film.
I would love to act. I get to do it in three and a half minutes in a video on a three-day shoot, which is fun.
I'm a big fan of Justin Timberlake and Bruno Mars - that's my next level. You've got to dream. People have always tried to shoot me down for wanting to be a big worldwide star. But why not? You have to broaden your horizons and put yourself out there.
I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.
When you shoot on high-definition, everything is very sharp and clear, sometimes at the cost of losing dimension and depth of field.
I shoot just one moment at a time... These moments are beneath the threshold of perception.
Skeptical of strangers, lobstermen are keepers of secrets, working in the howling wind and hot sun, the icy snows, and bewildering fog. When I was growing up, the lore was that they had the right to shoot anyone who messed with their traps.
It's far better to shoot a good picture than a good-looking picture.
My teammates tell me to shoot the ball when I'm open. I feel like I'm open most of the time, so I shoot it.
When I saw contestants fighting for their lives on 'The Biggest Loser,' I realized I just wanted to be healthy - to have fun playing soccer with my son or teaching my daughter to shoot hoops. Then it was so much easier to say no to carbs, soda, or dessert, and the weight just came off.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
You have to shoot, to want to score goals no matter how. Just score that goal! You can't be afraid to miss.
Most of my acting jobs have resulted in a series of mortifying revelations spread over years and years following the shoot.
'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!
If you want to see me cry, just come to a photo shoot.
Deep down, all directors feel like frauds - because it's built into the nature of the job. You're the jack of all trades and the master of none. The cameraman knows the camera, the sound man knows the sound equipment - and you? You can't do anything: You can't do the acting, you can't dress the set, you don't record the sound or shoot the images.
I started this charity, Fashion for Relief, in 2005, after Hurricane Katrina happened. New Orleans was actually the first place I visited in the United States. It was one of my first big jobs, a shoot for British 'Elle.' It was April 14, 1986.
When I do see a picture of myself that has been touched up too much, I do get a bit sad... it makes me look like a hypocrite. It breaks my heart. I would rather shoot a magazine and shoot my flaws, but that's not up to me.
I've got to tell you what, the soldier doesn't fight very hard for a leader who is going to shoot him, okay, on his own whim. That's not what military leadership is all about.
Wrestling is second nature: I've been doing it for so long, so if it looks like someone's leg is available, it made sense for my first three fights that I would shoot for legs.
