Zitat des Tages über Populäre Musik / Popular Music:
We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals.
I turned popular music on the radio, and I never listened to it again after that, in about 1985. That's when I switched over to classical music, and I pretty much stayed with that since then.
Popular music has always been rooted in the blues, whether it's Adele or Led Zeppelin or Sam Cooke. It's just the beat that changes.
Popular music was this abstraction - an abstraction that I was relating to immensely but was ultimately far away.
Making an album should be an honest experience. It shouldn't be about trying to gauge where popular music is today; it should be about artistic expression and putting down what you want to put down.
To the average mind popular music would mean compositions vulgarly conceived and commonplace in their treatment. That is absolutely false.
Explicit material is available in a variety of forums - from popular music to television to the Internet.
Commercial music, for the most part, is popular music and you always have to keep that in mind.
What is classical music if not the epitome of sensuality, passion, and understated erotica that popular music, even with all of its energy and life, cannot even begin to touch?
The country experience was more of a departure. When you consider my education and my upbringing, you can see that was more of country rock outgrowth of my popular music aspirations.
Every now and again, the alternative culture is cherished by the mainstream for what it is, rather than how it should be, like the mainstream popular music.
Adele ultimately did well in such a large way because she affects everybody, and the way that she writes seems to be popular music, not because of her skin color but because she writes great music, and it's popular in that way.
We are living in a time when American popular music is finally being recognized as one of our most successful exports. The demand is huge.
I feel like more artists like me should be on the radio. Everything is, like, so controlled by, like, super popular music. You know what I'm saying? Like, c'mon.
In rap, as in most popular lyrics, a very low standard is set for rhyme; but this was not always the case with popular music.
The basic function of popular music is to create an environment for courting, lovemaking, and doing the dishes. It's useful because it addresses the heart in the midst of all these activities, and it will always be useful in this very important way.
Very few opera singers in history have been able to cross into popular music.
Have you listened to the radio lately? Have you heard the canned, frozen and processed product being dished up to the world as American popular music today?
I think popular music in this country is one of the few things in the twentieth century that have made giant strides in reverse.
Although we are being presented in Carnegie Hall, we have to furnish a budget for our guest stars, and for the music writing - which is a huge budget in any orchestra that plays popular music.
Jazz really does try to include everything. It's always been popular music. But the wonderful thing about jazz is its willingness to take chances.
In country music the lyric is important and the melodies get a little more complex all the time, and you hear marvelous new singers who are interested in writing and interpreting a lyric and in all form of popular music.
Popular music sucks so bad right now.
Teen pop will never die as long as there are teens and popular music. It just takes a different head.
If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.
I don't see that there are any particular changes in popular music.
In my opinion, it seems like music is taking a bit of a turn. Look at Mumford and Sons, and the Lumineers. It seems like people and music fans are enjoying the more artistic side of music, and that popular music is taking a turn and accepting that, so I appreciate that.
It was Muddy Waters who took the Delta blues north to Chicago, electrified the sound, and changed the course of popular music as we know it. That's pretty much the judgment of history, and it is mine as well.
Popularity gets up people's noses. But I understand the importance and the function of popular music. There is an artistic purpose. Popular music helps people to develop a curiosity and leads them towards classical music.
In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began.
Copland was one of the first American composers to forge a truly modern style of American classical music while also making use of American popular music - including jazz.
As late as the early '50s, jazz was still, for the most part, a genuinely popular music, a utilitarian, song-based idiom to which ordinary people could dance if they felt like it.
I believe it's possible to have hit songs and popular music that's recorded by human beings.
There's been a shift: Country music is popular music now. Every other genre wants to come over to our land.
I grew up listening to popular music. My father was a Peruvian folk singer. He played the guitar at home. He sang songs with a waltzing rhythm, yet you can still hear the Spanish influences. I accompanied him to his performances.