Zitat des Tages von Juan Diego Florez:
I created a foundation for poor children called Sinfonia por el Peru, where they play in orchestras and choirs, learn values and get away from the bad life, become better citizens in every aspect.
You are born with a voice. And in a way, you don't choose what you want to sing. It's the quality of your voice that matches a certain repertoire, and that's what you're going to sing.
I have always been pretty flexible. I could always jump and do all kinds of dangerous movements. In opera, I like to do it because it's fun, as long as it fits the role.
With El Sistema, you can create orchestras everywhere; then they can decide whether they want to become professional musicians. The aim is not only to create musicians, but to create people.
My parents never really wanted me to be a musician at all, because in Peru you don't earn any money that way. But when they realised it was genuinely what I wanted to do, they supported me always.
Some people might hate someone who is successful, but in Peru, they love it! It makes them feel they can be successful, too. That's a good state of mind for a country that wants to come out of poverty.
Sometimes at my performances, I see Peruvian flags in the audience. I've never seen, when an Italian sings, people with Italian flags. But with Peru, it's different: because there are not many famous people, they really celebrate the ones they have.
In Peru, there is no theatre that produces an annual opera season, and though there is one orchestra in Lima, it's always struggling to survive. We shouldn't have just one orchestra, we should have 15, we should have 50! And you should start to build this from the children.
I don't think I am even the best I can be. I like to listen to other singers and learn from them, but I'm always working on myself, trying to improve, trying to be very tough with myself.
Around age 38, there was a slight change to my voice, and very much in the center. That made it possible to start thinking about certain roles: Guillaume Tell, Romeo, Edgardo. These roles require a fuller center.
I would love to bring the children from my foundation Sinfonia por el Peru to play with some of the best musicians in the world.
Even if change in a voice is light, and people maybe don't notice it, that slight change is, for singers, a bit of an earthquake.
I didn't grow up with classical music. My father was a folk music singer.
In my concerts, people love when I sing a Latin encore with guitar.
I think spontaneous and free reactions are the most natural.
I wouldn't be me if my repertoire wasn't bel canto.
When I'm doing sports, I always think of how it's related to singing, and when I watch tennis, I learn a lot for my singing: how the players are focused, how they use their technique, and, in the case of Roger Federer, how effortless it is and how beautiful it is to watch - like bel canto, in a way. That's how singing should be.
I grew up listening to popular music. My father was a Peruvian folk singer. He played the guitar at home. He sang songs with a waltzing rhythm, yet you can still hear the Spanish influences. I accompanied him to his performances.
I now have plans to create a school for singers in Vienna, and I would love to found one in the Middle East, too, if possible.