You know, I'm a modern day Harry Belafonte; I got the swagger of the island.
Originalism says that when you consult the text, you give it the meaning it had when it was adopted, not some later modern meaning.
The modern stuff, I can take it or leave it. I like its danceability, but the DJs talk a lot of nonsense.
I have a passion for modern and contemporary art. I spend a lot of time in museums; I particularly like the Guggenheim, MoMA in New York or LACMA and the Getty Museum in Los Angeles, for example. I cannot wait for the Louis Vuitton Foundation to open.
In modern life, we hide behind ourselves. In Shakespeare, there's nowhere left to hide. It's life, larger than life, and every actor has to raise their game to get there.
I go back and research, say, every reference to the Gorgons, and I find what the classical writers said about them and it's so much richer than you might get in an average Greek mythology text. I feel like an archaeologist - I'm dusting off these things that people have not seen for thousands of years and bringing them into the modern world.
To far too many, science is a four-letter word, and under the modern media's false equivalency standards, a handful of skeptics are viewed as counterweights to the vast majority of scientists who acknowledge mankind's proven role in global warming.
I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.
It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. He's the modern Giotto, someone who shattered one kind of picture-making and invented a new one that the world followed.
Curating, in the modern sense, is something I gravitate to. Taking different ideas from a bunch of different places and putting them into one place or space, a story that makes sense or a new idea. Everything is remixed and taken from other things to make something new.
When I moved to Sheffield and went to a secondary modern in the Seventies, there were certain challenges: if you've got a name like Sebastian, you either learn to fight or to run.
The way that we are going after ageing, I think, is a problem. The modern medical model is basically designed to attack one disease at a time. Independent of all other diseases and independent of the basic process of ageing itself.
It's time to update our workplace policies to reflect the realities of the 21st-century labor force and to support modern working families. It's time to continue our nation's long commitment to supporting unemployed workers by extending emergency unemployment compensation.
Only the man who disciplines himself strictly can stand for long the terrific pace of modern war.
