I've been doing nineteen hours a day on London, nothing else, I mean this has been my whole life, and writing has been put on one side, and if I'm privileged enough to be the Mayor of this city, then I will not write again.
The day after the Oscars, I flew back to London to film a television play for Anglia. It was a big mistake because you never really get acknowledged for wanting to work in England, as I did.
I want London to be the most cycle-friendly city on Earth, and I want more people to be happy and safe on bicycles.
The city of London, within the walls, occupies a space of only 370 acres, and is but the hundred and fortieth part of the extent covered by the whole metropolis.
Individual and corporate support is vital to building on London's leadership in the arts, and I hope others will join me in wanting to build on the National's role at the heart of modern theatre and sustaining it long into the future.
I'm just a very normal person, living in north London, doing my best for my area and to put forward some serious debate on issues in the party.
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing.
There was no real fringe theatre in London until way after the war, so either a play was done secretly with a club licence or it was done openly and had to be assessed along with everything else.
I want to win a gold medal in London.
I finished my studies in England, I opened my studio in London, and the first one-man exhibit I had on Bond Street, which was opened by the Austrian ambassador.
I fought for seven years to have creche facilities at the Okinawa Institute of Science of Technology - and was ultimately successful. Less successful have been efforts to get a creche at the new Crick Institute in London, but this is something I will continue to push for.
After I found that I had become an actor, slightly to my surprise, I did have some insecurity, and I did take some rather strange acting classes at a place called The Actor's Studio in London. I don't think they did me any good at all.
I love London. I love England. We were out in the countryside and I had the time of my life.
When I went to London, they told me I spoke with a funny accent - English with a Chinese accent.
I'm quadracontinental. I've got a life in London, New York, L.A. and Hawaii.
I'm based in London now. I'm renting an apartment, making my own little home. It's great because I am around people all the time and I need my own space to get away from it all.
London is the most commercially important city in Europe, and it's the most populous city. It should be for the whole of the European continent what New York is to America. That's what it should be.
Jurgen loved London because he could get lost here. He said that it was the first time he could do that in eight years. No one knew him or bothered him. It is great for a person to be able to get lost.
There's a simple arithmetical logic at work. Build more unaffordable and not always architecturally sympathetic apartments, watch the rents rise, the tarts leave, the small shops, production offices and design studios close down, and hey presto, we have another fashionable London suburb indistinguishable from the rest.
I first came to Abbey Road Studios in 1994. I scored 'Little Women' there. What I remember most about it was how hard it was to come to London from Los Angeles and conduct when you're jetlagged.
I grew up in London, and that's where I spend most of my time. Unless I have a really good reason not to be, I'll always be in London.
I'm looking to get in the best shape possible for London and not worrying about rivals.
I had to have some balls to be Irish Catholic in South London. Most of that time I spent fighting.
I'll be my own man and work closely with a Tory Government if it is in London's interest.
I like New York. There are similarities with London that make it feel rather like home, but at the same time it's slightly fictional.
I never felt at home in London, because people were constantly telling me I didn't belong here, so after a while, you tend to believe that.
We used to play in a theater club in London called The King's Head. When the theater let nut, around 10:00 P.M., we'd be ready to go and really get it on for about an hour or so.
To discuss a Martin Amis book, you must first discuss the orchestrated release of a Martin Amis book. In London, which rightly prides itself on the vibrancy of its literary cottage industry, Amis is the Steve Jobs of book promoters, and his product rollouts are as carefully managed as anything Apple dreams up.
I do take a one-week vacation every year, and I go to London in the fall.
The first time I landed in New York and got a cab to my hotel, I was completely struck by it: a feeling of life and chaos, 24 hours around the clock, just like in London. And whatever your problem is, it's insignificant. You're just a small part of something very big.
London is one of the most enchanting places I've ever been on this planet.
I spent two years living in London - I'd have stayed for ever if I could have got a work visa. It was there I started collecting vinyl and fell in love with the sounds of the 1970s.
Everyone in London, Wales, and France made the 'Merlin' experience a very, very special one.
There are so many soulful singers, even the ones coming from London, like Adele and Jessie J, who are just amazing. It feels like a really cool time to be making music now.
I think if you live in London, it's such a cosmopolitan city; nobody even notices different-race relationships. I assumed it would be even more liberal in the States, and it's totally the opposite.
I raced in London in the 2012 Olympics, and it was incredible to be a part of, with half a million people watching and then later seeing kids going back to cycle.
