My parents came from the Kyushu Island in the Southern part of Japan to find work in Tokyo. So we could only afford to live downtown, in a low-income area. It was just by the river, and whenever a typhoon came around, we were under water up to, like, here. That's the kind of place we lived in.
The truth is, no, we don't live in a post-racial state anywhere in America, and this is particularly true in Hollywood.
In the ever-evolving society we live in, it is the responsibility of all of us, as individuals and as Americans, to rid ourselves of this culture of violence.
The cry of the oppressed has entered not only into my ears, but into my soul, so that while I live, I cannot hold my peace.
When kids start school, families often have little choice over where they can go. Sometimes, children are forced into a failing school simply because their parents live in a certain district, and that school is the only option.
A world with a sudden limit on air travel would be tremendously different from the one we live in now.
Particularly with live TV, I have a really good time reacting in the moment to things that are going on around me. I try to think of the viewers' perspective too.
I grew up with social media. I am the boomerang queen. I enjoy this. I live this. The day I don't is the day I need to resign.
I think part of picking where you live in New York is accepting who you are. Really looking at yourself and going, 'Yeah, I'm not cool enough for the West Village.'
Other than my family and my close friends, there's nothing I love more than owning the team and doing everything I can to make it a success. That's how I live. That is me.
A performer needs and craves a live audience.
I live to eat - when someone else cooks for me.
For me, I need to fully immerse myself in a script to the point where I'm literally locking myself away for weeks at a time and I just write it. So I can write twelve to fifteen hours in a day, with breaks in between, obviously, but I need to just sort of live within the world of the script.
I find that I get most of the same things I loved about performing in the ring when I do my live shows around the world.
The Palestinian Arabs will have their autonomy, we will have our security. We shall live together.
I don't like to be overexposed. Too many articles, too many tweets, too many posts, I just don't like that. But at the same time, we live in a culture where that's almost necessary. People want content and they want their stuff when they want it.
The best revenge is to live on and prove yourself.
If you're playing any real person, live or dead, you certainly have a responsibility to produce that reputation in some way.
Every day, I read about new ideas and research that could help someone I care about live a longer and healthier life.
I've got my life and 'Harry Potter,' where I travel the world, I make films, I meet amazing people, I do press junkets and stuff. And then I go back home to Leeds, where I live, and I've got the same friends from before.
One of the blessings that comes from paying a full tithing is developing faith to live an even higher law. To live in the celestial kingdom, we must live the law of consecration. There we must be able to feel that all we are and all we have belong to God.
Storytelling is powerful; film particularly. We can know a lot of things intellectually, but humans really live on storytelling. Primarily with ourselves; we're all stories of our own narrative.
We live in a culture that relishes tearing others down. It's ultimately more fulfilling, though, to help people reach their goals. Instead of feeling jealous, remember: If God did it for them, He can do it for you.
The only goal is in the process. The process is in the thing with little flashes of light: those are the gigs, the live shows... it's the life in between. That's all I've got.
Much of a poet's experience takes place in imagination only; the life he tells is oftenest the life that he strongly desires to live, and the power, the purity and height of his utterance may not seldom be the greater because experience here uses the voices of desire.
We live in an interconnected world, in an interconnected time, and we need holistic solutions. We have a crisis of inequality, and we need climate solutions that solve that crisis.
Books and theater were the way I understood the world and also the way I organized my sense of morality, of how to live a good life.
Whenever we're having a great time, we're already anticipating the day when we will remember this great time. Many of us live in that unreal area between the past, the present, and the future.
If you live for your children, they may be smitten down and leave you desolate, or, what is far worse, they may desert you and leave you worse than childless in a cold and unfeeling world.
I am away so much, so I rarely see live TV, but I use iPlayer to catch programmes.
You can live a wonderful life, you can love God with all your heart, and you can love your husband or wife very passionately and have a balance in your life. I live by balance.
We should remember that bearing a heartfelt testimony is only a beginning. We need to bear testimony, we need to mean it, and most importantly we need consistently to live it. We need to both declare and live our testimonies.
You can't live on last year, you can't live on the year before. I can't bring in my 13 Pro Bowls in the locker room and say, look at me. No. That is gone. That is the best thing about the game of football is that everybody starts over.
One should always be happy, irrespective of what you achieve in a match or in life. That's how I live my life.
Most of us live in a safe world. We don't have to fight for our values, we don't have to fight for our freedom, we don't have a sense of injustice.
I really don't have much respect for the people who live their lives motivated by an exit strategy existing, being performed. There was no option that we were trained in that says, 'If it gets too hard, get up and leave.'
