When I signed onto 'Superman,' editors Matt Idelson and Wil Moss gave me a rough outline that JMS had turned in for the remaining issues of the 'Grounded' arc, which amounted to a couple of sentences for each issue, spelling out in general terms where the issue would take place geographically, specific guest stars, things like that.
Hollywood has a longer pre-production period and they juggle shooting schedules more carefully for each cast. In Korea, we shoot day and night without much break.
I hang out with people who are amazing parents and really value a rich living. I'm not talking about monetarily. I'm talking spiritually and mentally, and we help make sure that each one is on their game for their spouses.
In boxing, it's one fight, so it's easier to build up rivalries, but everyone's got huge respect for each other.
As a creative agency, the film industry is thinking great subjects, presenting them wonderfully well, and giving opportunity to new faces each day.
When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
If we teach our children how to listen properly to the world - and especially to each other - they will understand the consequences of their own sound and be far more responsible in making it.
Typically, people think, 'Oh the hippies and the punks hated each other,' or that those things don't go together musically. Sometimes that is true, but we had equal parts of both in our musical DNA.
I believe, and this is perhaps too nationalistic a view, that the American style of acting puts actors quickly in touch with each other, so that their continuous presence in a company, as in England, is not absolutely necessary.
