I think that was the case here. We just wanted it to be good for everybody.
My wife's jealousy is getting ridiculous. The other day she looked at my calendar and wanted to know who May was.
We always thought we wanted to do a show that you could both laugh and cry in thirty minutes, and I don't know that there are that many comedies that try for that.
I floated around in the department of biochemistry and learned some interesting things, and then I began to... I never wanted to work with a mentor because I always wanted to have my own reputation and be free to do what I wanted to do. So I worked with the weakest people in the department. Don't make that public.
After doing Johnny I wanted to just do something, I wouldn't say innocent, but to not have any care in the world. Lots of setups and horrible happenings but its funny.
Americans wanted to settle all our difficulties with Russia and then go to the movies and drink Coke.
When I was growing up, so many of the important changes for African-Americans were being made in the United States Supreme Court and were being made by lawyers. I followed the court very intensely and wanted to do that for my life.
I grew up in Colorado - went back there, tried to heal myself and grow and learn, then got a call that David Lynch wanted me to fly back to Seattle so he could meet me for Twin Peaks.
I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent.
My mother desperately wanted to give her kids a wholesome environment, and we were born into a traditional Catholic family.
People loved the first two 'Toy Story' films so much, and the last thing I wanted to do was make a disappointing third film.
Owners, the way they blackballed me from baseball, the way they used me, in a sense, and then the way they wanted to send a signal to the other players, saying, you know, we're going to get Jose Canseco out of the game. This is a cue or a message for you other guys to stop using steroids because the owners lost total control of the steroid use.
I always wanted to direct. I always saw myself as a director. I know that I've definitely found what I should be doing with my life. In my life, as far as my career goes, I always felt, as an actor, that it was something that would just be a temporary thing that would get me to what I wanted to do next. That's what my acting did.
I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene.
I wanted to be with the kind of people I'd grown up with, but you can't go back to them and be one of them again, no matter how hard you try.
I just wanted to be a scientist.
I grew up seeing my parents perform and sing, and I just always wanted to be singing, too. Music has always been my deepest passion and what I felt most connected to.
I'm honored the folks and Bendon understood why I wanted to work with them and Toys for Tots.
I always wanted to go into acting.
When I was 10, I knew there was something different about me. Everyone was football-mad, but I just wanted to watch musicals and see art.
I remember growing up knowing I wanted to be on the stage. I wanted to get to London as soon as possible and start auditioning for theater.
Of course, I grew up hearing Latin music but, to be honest, aside from my personal circumstances, like most kids I wanted to rebel against what I considered to be such old fashioned fare.
I actually wanted to become a model agent, and went into what ended up becoming my first agency for a job interview. They ended up suggesting I model instead. I guess I sort of fell into it.
My idea with '4 Degrees' was to articulate, for a minute, not my ideal vision of how I wanted to perceive my relationship to nature but the reality. If I could give a voice to my behavior, what would that voice be? Taking planes, enjoying first-world fossil fuel, an addict of first-world comfort.
If it weren't for my breast cancer, I wouldn't be a 'Today' host. After I got better, I talked to my boss about working on the show. Six months before, I'd have been terrified to go in there and ask for what I wanted. But after what I'd been through, how could I be scared of being told no?
I had several publishers, and they were all the same. They all wanted salacious. And everybody is writing autobiographies, and that's one reason why I'm not going to do it. If young Posh Spice can write her autobiography, then I don't want to write one!
Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house.
When I started to make music at the end of the '90s, I saw myself highly influenced by hip-hop and techno, but I wanted to apply these ideas to something from the local sound; something that had identity, that would say who we were and where we came from.
I wanted readers to be genuinely unsure as to whether she's telling the truth or lying. It meant making her partly sympathetic, and partly unsympathetic, which wasn't easy.
As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too.
I wanted to become a mathematician, physicist or astronomer.
I've never wanted to be a star, never.
I'm a lucky boy. Never wanted for anything; new tracksuit, new pair of football boots. I had a happy childhood.
I wanted an electric train for Christmas but I got the saxophone instead.
As soon as you put something to bed like the 'Women' book, you're never finished. There were portraits of people that I wanted to photograph - it's an endless subject.
I wanted to be videotaped.
