I prefer to make movies which not only have a message for 'then' but a message for 'now.'
I would love nothing more than me and my family getting green cards, going to L.A. for a year, sitting down with the big Hollywood studios and coming up with the most advanced and awesome Internet distribution platform for movies. It would make Hollywood more money than cinemas, DVDs, and everything else combined.
When you start acting as a child, you grow up ahead of your movies.
When you look at what you get in a cable subscription, it is a spectacular value. For $70 or $80 a month is what it would cost a family of four to go to the movies one time.
You hear again and again that audiences want to see movies that are different, and critics say we make the same thing again and again in Hollywood, then you go and make something different, and you get kicked in the gut for it.
I really hope everyone who saw 'Twilight' sees 'Warm Bodies,' but at the same time... I don't resent the comparison on a level of quality because I don't judge other movies like that. Now that I make movies, I see how hard it is to do everything. I pretty much love all movies.
I just grew up watching a lot of movies. I'm attracted to this genre and that genre, this type of story, and that type of story. As I watch movies I make some version of it in my head that isn't quite what I'm seeing - taking the things I like and mixing them with stuff I've never seen before.
We all know that much of what we hear in life is not really so. Canned laughter and 'sweetened' applause have been TV staples for decades, and all the slamming doors, breaking glass and squealing tires you hear in movies are sound effects.
I want to make movies about my country from my point of view.
I've done a lot of bad TV and bad movies. I've also done some really great things.
Throughout the movies' golden age, the Western enriched Hollywood financially and artistically. But in the 1970s, the genre lost its audience appeal to fantasy films of the 'Star Wars' stripe, which told more or less the same story - elemental animosities leading to an armed showdown - but at a faster tempo, and in outer space.
My father used to take me to the movies on Saturdays. In 1940, when I was four years old, we encountered 'Flash Gordon Conquers the Universe.' I loved it. Especially the rocket ship, which I later realized had no airlock and no washroom. But they managed to get to Mongo with it.
There's nothing more American than movies.
I have a to-do list and I have a farm I care for, and things I like to do for fun - going to movies and all that stuff. It's a painfully normal life!
The thing that runs through the British film industry even today is a lot of unsung movies are financially the bigger ones. Even though they weren't always the greatest of movies, something in them was very potent which people loved.
Filmmakers, they tell me they want to make movies. I say, 'Good, go out, buy a $500 camera, get some friends and make a movie. Don't go to Hollywood. Stay wherever you are.'
I got to do Disney Sunday movies. I got to do a TV pilot there. And it really helped me to realise that I needed to not just be a writer, but a producer, to see my work up on the screen the way I wanted it to look and play.
I like to be someone else. I like to be someone other than myself. I grew up watching movies and being a fan of what I'd seen portrayed in the movies, and I always wanted to do that one day.
I think a great first date would be something different... not like movies or going to dinner... going rock climbing together... doing an activity and then going to dinner, so that you guys share an experience, and then you have something to talk about, and it's not the same old thing.
Ultimately, making movies is a really, really small world. Being on sets and going to the same locations, like shooting in Shreveport, you're always working with somebody from another set that you worked with.
There's a tacit belief that actors shouldn't write books, they're sort of allowed to direct movies but there will be a lot of skepticism, and they shouldn't do artwork or music. There are these invisible roadblocks to gain entree to these areas for actors, and you kind of have to crash through those invisible barriers.
I hate Bollywood. The movies are all garbage, just terrible. It's my opinion; obviously, there are billions who like and love them. I don't like all the singing, dancing and all the dramatic crying. I have never seen a Bollywood film in my life.
Movies are my bread and butter and my inherent passion.
Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope... but darkness wins.
For my money, the movies of the '70s were just amazing.
You know, I put my little brother in the movies and he's still in the pictures. My mother makes me put him in the pictures.
I think that being Jewish has generated an extremely strong sense of the importance of family. If I look at my Scandinavian colleagues, they don't have that urgency about family. All my movies are about that.
Making movies is about control. You need to control your narcissism in the first place, and you need to be disciplined enough to understand the reason for the film. You need to follow the agenda of the film, not a personal agenda or that of the studio. Or, worst of all, of the actors.
People have this view, 'Oh, you're in movies, your life is so glamorous' but it can really suck.
I love all kinds of movies. I'd especially like to make some, you know, violent crime drama.
I went through this very serious Woody Allen phase in college and a little bit after college. I still see his movies.
The notion of artistic responsibility begs questions with no satisfactory conclusions, the most inevitable and ineffectual being that we should just keep thinking and talking about it, given that the alternative - a governmental body monitoring the movies we make and see - is unacceptable.
A lot of people ask me, 'Are you going to do a sequel to 'The Guest' or 'You're Next?' - those movies weren't financially viable, so even though there are a lot of fans of it, it'd be a pretty small market we'd be appealing to. It's got to be a big hit for you to really justify that.
I grew up when Disney was doing movies like Cinderella, and all the girls were princesses.
I love the movies, and when I go to see a movie that's been made from one of my books, I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it.
I'd like to produce. I'd like to come up with ideas and collaborate with people and directors and writers that I like, be a part of movies that have the same idea that the movies that impacted me have. I'd like to be able to do that for people.
