I would hope it's better, but I'm actually acknowledging now that I want to explore all these levels from a whisper to a scream with this gift I've been given.
I never went shopping. That wasn't my thing. I grew up horseback riding. That was my passion. I didn't start shopping until about 16 or 17, when I could drive myself to stores and explore on my own.
Growing up with my father's legacy, we never felt that we had to do anything, but we were always raised to think: What could be better than to explore the wonders of the world and share that with people? To try and make the world a better place. And I guess it stuck.
It's about, I did talk about my life in broad strokes and what home meant to me in order to really explore the subject of home and can you go back and what that means for people in that sense of community that we've lost.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
The reason I got into acting was not to explore myself. I was a reader, I didn't care about acting. I got into it in college, but I had no interest really in that, in getting up in front of anybody.
The difference between kitties and humans is that we are aware of our mortal condition, and the burden of consciousness is to evoke and embody and explore the coordinates of our condition.
Science fiction encourages us to explore... all the futures, good and bad, that the human mind can envision.
A lot of directors are great and they are fine but you know I think that Harry really takes a special point to really engage the actors and really make it feel like a safe place for them to explore whatever it is they want to explore in whatever scene with their character.
I've played a lot of really smarmy people in film, and it can be real fun, don't get me wrong. But it can be characters I'm not as excited to explore.
I understand why people went nuts for 'The Artist.' We use words so much, it's nice to be able to explore a different way of communication, to be able to express silently what someone - or something - is thinking or feeling.
Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.
Working on 'Gossip Girl' was a fantastic experience. It was my first real gig and I'm thankful for it - I got to learn a lot. I'm glad I got to explore getting comfortable in my own shoes in the background on a show like 'Gossip Girl.'
I'm not really allowed to talk about the Dead though. I think when we are at our best, we definitely do things that the Dead or no other band could do. We explore things and take things to the extreme.
But at this phase of my life, I want to write and not have to think about whether a song is going to be a hit. I want to explore the music that inspires me, and I don't want to ape myself.
Because all of biology is connected, one can often make a breakthrough with an organism that exaggerates a particular phenomenon, and later explore the generality.
Fear is a question. What are you afraid of and why? Our fears are a treasure house of self-knowledge if we explore them.
As for the forces, electromagnetism and gravity we experience in everyday life. But the weak and strong forces are beyond our ordinary experience. So in physics, lots of the basic building blocks take 20th- or perhaps 21st-century equipment to explore.
I love acting. It's my playground, it let's me explore. But my happiness in this world - my level of peace - is never going to be dictated by acting.
Particle physicists may freeze a second, open it up, and explore its dappled contents like surgeons pawing through an abdomen, but in real life, when events occur within thousandths of a second, our minds cannot distinguish past from future.
One idea I explore in my stand-up show is whether, if you try looking at the universe rationally and avoid coping mechanisms like mysticism or religion, you can still be happy knowing you are going to die after a brief time on this spinning ball.
We live in such a service-based, globalised economy where very few people actually make anything and the people who do make stuff... it's all part of a massive global supply chain. So what if all those chains were suddenly cut, how would you make something? How would you keep people alive? And that was something I wanted to explore.
I consider myself Istanbul's storyteller. My subject matter is my town. I consider it my job to explore the hidden patterns of my city's clandestine corners, its shady, mysterious places, the things I love.
A move to a different town or school gives us new places to explore, new people to meet; a lost pet means we have to organize a careful search; baby-sitting requires looking out for dangers a young child can't foresee; a car crash or fire demands that we get help immediately.
Let both sides seek to invoke the wonders of science instead of its terrors. Together let us explore the stars, conquer the deserts, eradicate disease, tap the ocean depths, and encourage the arts and commerce.
Nevertheless, the realization that breaking a pencil point would have far less disastrous consequences played little or no role, I believe, in this decision to explore theory!
You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.
After all these years, I am still involved in the process of self-discovery. It's better to explore life and make mistakes than to play it safe. Mistakes are part of the dues one pays for a full life.
With a thriller, you're going to have your red herrings, as different suspects are thrown up as possible culprits. You can only explore that for so long - if you do that more than a few times, it starts to get a little redundant.
I never know what's going to happen or what opportunities are going to be given to me. I've found with the opportunities that I've been given have made it possible for me to explore different characters and exciting stories.
If given a chance, I would really want to explore the monuments in Delhi, like Qutub Minar and the forts. I have been there as a child, but now I want to go back and understand the history and significance behind them. We take all of these things for granted in life.
Inspired by London's Savile Row, I wanted to bring an American curated experience for men to Madison Avenue... a place where they cannot only shop but explore.
When I've pictured what Heaven would be like, I've always imagined myself free to explore the outer reaches of space.
A product is most easily sold when it has an identity. So they wrap you all up and put a label on you. And then that's what you have to be. But what I'm looking for is the opportunity to explore what I can do, probing the limits, learning.
What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully.
I would like to explore and see this country. I have had so many opportunities to see it from the air! I would like to climb the mountains that I wished I could climb at the time but had to get back to Washington.
