Zitat des Tages von Daniel Day-Lewis:
The last time I was on a small set would've been probably My Left Foot.
I hate wasting people's time.
I depleted myself to the point where I had nothing left.
The whole thing of weight, I guess it's because there is a wider fascination we all have with weight.
I'd always felt very strongly in the power of vocation.
I suppose I have a highly developed capacity for self-delusion, so it's no problem for me to believe that I'm somebody else!
I see a lot of movies. I love films as a spectator, and that's never obscured by the part of me that does the work myself. I just love going to the movies.
When I was younger, I made some decisions that I shouldn't have. And, in hindsight, I've almost always been wrong when I haven't listened to myself.
I think some actors thrive on working at a much greater pace than I do.
I love to sit and watch people. I love to sit and listen to people.
I can't honestly account for the very personal response that I have to one story and not another, a sense of an orbit, the orbit of a world that draws me as my own life recedes.
My preference is that, that day when someone sticks a tripod in front of you with a camera on the top, it is not day one.
I became conflicted in my late teens.
When I've gone back to work, it's always with that sense of inevitability. That may be a complete delusion, but it's the one that I need to get out of bed and go about my business. That sense that I can't avoid this thing. I better just get on with it.
Many years ago, I really didn't know where the next work was coming from.
I don't know what impression you might have of the way I live. I live in a quiet place. I do not live as a hermit, though other people would prefer it if I did.
To people who don't know me I'm defined by a number of things that people know about me that are entirely untrue.
It's a source of great sadness to me that my father died without having seen me do anything worthwhile. He was constantly having to make excuses for me.
Where I come from, it was a heresy to say you wanted to be in movies, leave alone American movies.
Films exhaust me, they do, and I often want nothing more to do with them, but I'm continually surprised at the resurgence of the impulse to come back and do it all over again.
How people are around a director, it really does affect everything, every detail of the life of the movie.
My curiosity sustains me for the period of the shoot.
If people take an interest in you and they think there's half a chance, they might hang on. It's dreadful.
You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.
Making a film, setting it up and getting it cast and getting it together, is not an easy thing.
I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
Perhaps I'm particularly serious, because I'm not unaware of the potential absurdity of what I'm doing.
At a certain age it just became apparent to me that this was probably the work that I would have to do.
I'm woefully one-track-minded.
If you have a certain wildness of spirit, a cabinet maker's workshop is not the place to express it.
I'm a warrior when it comes to pursuing roles.
I can't re-examine work I did in the past with pride.
It is awesome to feel you are carrying on the family name.
Being at the centre of a film is a burden one takes on with innocence the first time. Thereafter, you take it on with trepidation.
I would wish for any one of my colleagues to have the experience of working with Martin Scorsese once in their lifetime.
When I do work, I feel the same sort of urgency as I ever did. If I didn't feel that, I don't think I would wish to be doing it. I wouldn't really see the point.