Like a lot of you, I grew up in a family on the ragged edges of the middle class. My daddy sold carpeting and ended up as a maintenance man. After he had a heart attack, my mom worked the phones at Sears so we could hang on to our house.
Mubarak would meet with me when I was at Central Command. He would lean and put his hand on my knee, as if a father figure, and say, 'General, don't ever forget the Arab Street. Listen to the Arab Street.' I'd like to go to him now and say, 'Mr. President, what about that Arab Street, what's that all about?'
I wanted to play piano in restaurants in the south of France. I went there on holiday once and I saw this guy playing in an old tuxedo. He was all disheveled, with a whisky glass on the piano. I thought that was the coolest thing. So what's happened to me with 'Twilight' isn't really what I'd planned.
I wouldn't go across the street to see a Bouguereau. His pictures look false; he does not get the truth of what he wishes to represent. His light is not outdoor light; his works are waxy and artificial. They are extremely near being frauds.
Caesar recognized the omens, but he didn't believe they applied to him.
Work ethic has always been stressed in my family. My dad is going to be 80 years old and he still works part time. My mom just retired a couple years ago and she's in her mid- to late 70s.
When I walked into the room to meet Michael Landon, it was clear he was a big-time star. To be around him was as far from Charles Ingalls as you could get. The hair was the same - no one touched his hair.
I really fancy Harrison Ford. I've got to say I think he's really divine. He's, like, an older man, I guess, although he's not really that old, obviously. I don't want to offend him.
I really only worked for about a month on 'Meatballs.' What happened was that Ivan Reitman figured out that studios wanted to meet everybody involved with 'Animal House' except the producer. So he thought he'd better start directing.
He who is infatuated with 'Man' leaves persons out of account so far as that infatuation extends, and floats in an ideal, sacred interest. Man, you see, is not a person, but an ideal, a spook.
I have four older siblings and one younger, and all three of my brothers are in the music industry. My dad was really involved in music, too, with the disco, and he also started Radio Caroline and was the one who invented pirate radio, if you like, off on a coast in England on a boat.
A man's man has no problems with commitment, as long as he's not with a woman who needs to be committed.
John Barth, I think, was really a writer of my own age and somewhat of my own temperament, although his books are very different from mine, and he has been a spokesman for the very ambitious, long, rather academic novel. But I don't think that what he is saying, so far as I understand it, is so very different from what I'm saying.
My father had slowed down playing a little... I was 'round 10 or 12 years old. Every time he put his guitar down, I pick it up.
For conclusion, I say the philosopher teacheth, but he teacheth obscurely, so as the learned only can understand him; that is to say, he teacheth them that are already taught.
No captain can do very wrong if he places his ship alongside that of the enemy.
I met with Hitchcock when I was a very, very young actress just starting out and he was making 'Frenzy' in London and I was sent along to meet with him. He was very, very unimpressed with me and I have to say, I was rather unimpressed with him - but only because I was an arrogant, ignorant young actress.
I had a thick accent, and people didn't understand me, and I was ashamed, and I fumbled. I radiated an uncertain energy; sometimes baristas sensed this and wouldn't try to talk to me, and then an insecure voice in my head would cry, 'He's racist!'
Escapism, we are led to believe, is evidence of a deficiency in character, a certain failure of temperament, and like so many -isms, it is to be strenuously avoided. 'How do you expect to get ahead?,' people ask. But the question altogether misses the point. The escapist doesn't want to get ahead. He simply wants to get away.
I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.
I've asked Jobs why he didn't get an operation then and he said, 'I didn't want my body to be opened. I didn't want to be violated in that way.'
I never thought that I'd be dancing with Shia LaBeouf. When I heard he was going to be my partner, I was like, 'Does he even dance?' He doesn't, really, but he's such a sweet person.
It's not like a boss and artist relationship; it's like a big brother to a younger brother relationship, and he's a great guy. So big shout-out to Akon and the Konvict Muzik crowd.
Do you know how many congressional liaisons we are going to have? I don't either, but I told Pence, it should be four times whatever Obama had. I don't know how many he had, but I'm telling you that didn't work out.
My brother has endless footage of us as kids because he had a video camera when we were growing up. The trippiest part was my younger self predicting my future path, like a truth-seer.
I've talked to Mitt Romney. He's not going to run for this seat. I would be glad for him if he would.
One sign of a great actor is when he can be alone by himself on the screen, doing almost nothing, and producing one of a film's defining moments.
I asked Fred Astaire once when he was about my age if he still danced, and he said 'Yes, but it hurts now.' That's exactly it. I can still dance, too, but it hurts now!
I would sing at home. I would sing in the car with my dad, but whenever he tried to make me sing in church, I was like, 'Nah, I'm not doing that.' I didn't want to sing in front of all these people.
The poet existed among the cave men; he will exist among men of the atomic age, for he is an inherent part of man. Even religions have been born from the need for poetry, which is a spiritual need, and it is through the grace of poetry that the divine spark lives forever in the human flint.
I just kind of feel like it's my choice to do what I want to do. And my agent, he's totally with it. He tells me, 'You can turn down any audition you don't want to.'
Every author believes that the book which he is placing before the public will 'fill a long-felt want,' and success or failure depends very much on how closely he has been able to gauge the nature of the 'long-felt want.'
At the time of 'Words, Words, Words,' I'm a 19-year-old getting up feeling like he's entitled to do comedy and tell you what he thinks of the world, so that's inherently a little bit ridiculous.
An enemy generally says and believes what he wishes.
My dad's an artist, and my grandfather paints - he's not a painter; my grandfather's a butcher - but he does a lot of crafts, stained glass, painting, that stuff. There is art in our family, and I was an art major in college along with being a theater major.
The first record I ever listened to was Elvis Presley, and I remember thinking, 'Man this guy is cool!' The swagger he had really helped my confidence, because he really made me think that a white boy could make music like this.
