Zitat des Tages von Guy Gavriel Kay:
I'm still proud of the 'Fionavar Tapestry.' The fact I don't write the same way is as much as anything else the fact a man in his 50s doesn't write the way a man in his 20s does - or he shouldn't.
Everything you have ever heard about the strangeness of Hollywood is true!
When we work with history, to a very great degree we are all guessing. But by using motifs of time and history in a fantasy setting, we are acknowledging that this educated guesswork, invention, fantasy underlie our treatment of the past and its peoples - and we are not claiming a right to do with them as we will.
Even if we remember the past, odds are good we'll still repeat it.
It's worth being suspicious of writers - or anyone! - who does that myth-making thing. There's always a tendency to retrospectively impose structures on a life. Life as it's lived has a far more complex shape.
As many have noted, the peril for authors is that our work space is too easily our play space.
I spent many years writing and directing in radio drama, so I am comfortable with an audience or a microphone, but I do worry about the blurring of an author's public persona with the work itself. A good 'performer' can make a mediocre book sound strong, and a shy author can leave listeners missing the excellence of his or her writing.
I've spent my whole literary career blurring boundaries between genres and categories.
Do we value privacy in any real way? Thinking about blogs, Twitter, Facebook, MySpace... all these suggest we value exposure rather more. And instead of challenging this transformation, as they are supposed to - certainly at the more thoughtful edges of the art - novelists are buying into it wholesale.
When I am reading for research and making notes, I use a cleverly designed curved lap-desk, and I sit up dutifully, mindful of ergonomics and suchlike concepts. When reading for pleasure, I take advantage of the 'recline' in recliner.
I never talk about books in progress. I could decide to change it to a series of seafood recipes, after all.
I say 'as it were' or 'so to speak' too often because puns and double entendres keep insinuating themselves into my consciousness as I'm talking.
I don't plan ahead; each book finds me. History itself, the resonance of the past with the present, is the common denominator in all of them.
I grew up in a bookish family, so I read very widely. I was omnivorous, really.
I want readers turning pages until three o'clock in the morning. I want the themes of books to stick around for a reader. I'm always trying to find a way to balance characters and theme.
We are all shaped by where we grow up, though that shaping takes different forms. I don't think there's any doubt that coming of age in Winnipeg both opened my eyes and made me hungry - if I can subvert all claims to be a real writer by mixing metaphors like that.
My privacy concerns have to do with the world, other people, technology intruding upon us - what Talmudic scholars once called 'the unwanted gaze.' Here I see major issues and concerns as society evolves, and I've written often on the subject.