I love spending time with young people. I love to hear about what they think. It keeps me young. And they need role models.
Increasingly, it's actresses doing the big fashion advertising campaigns, and now there's no distinction between actresses and models.
I began as a model, but that did not really hold my interest for too long! I believe I stood out from the parade of models trying to make it in Hollywood, which helped launch my career beyond the one-night-stand horror movie.
The models for me were more the folk-rock singers of the '60s and '70s.
Our players are role models; there's no question about it. Whether they want to be or not. They are. So they're in the spotlight. So if they do something that's wrong, that's in the spotlight, too.
My first shoot was on a rooftop in swimsuits with two plus-size models who were curvy and voluptuous and beautiful, and they taught me so much about being beautiful in any shape or size.
It would be nice if models were allowed to be a more healthy weight - for the models, and for the young women who look up to them. We were athletic and healthy, and we looked like women.
I was into comics because these were my real male role models, even though at the time, I didn't know it.
While we can learn from U.S. models, we certainly can't practice them.
From the start, I used a different kind of girl in Nars campaign images. My choice to use models of colour such as Alek Wek, Naomi Campbell and Karen Park Goude was absolutely a deliberate one. I felt that makeup was universal and should apply to everybody.
Rules and models destroy genius and art.
The fault seems to me to have been that men have taken ancient country churches as their models and have failed to discover that between them and churches in towns there ought to be a most distinct and marked difference.
'Sanctus' deals with creation myths in every culture. It fascinates me that all cultures, evolving independently, have similar models of mankind's origins, of a Greater Being, of the flood, and so on. It's amazing how they crop up time and time again.
I had to live with the models in one big house for two months, 24 hours a day. Only a few of them actually learned how to sign... I couldn't really communicate with anybody, and I felt isolated.
I'm slim for professional reasons, and I work at it. I really want to continue working. There aren't that many models who are still doing it at 60.
My father was in and out of jail throughout my childhood. He really wasn't in my life at all. Thankfully, I had two strong role models who guided me through those years.
Models are what they are... people who model clothing, that's all.
For only as we ourselves, as adults, actually move and have our being in the state of love, can we be appropriate models and guides for our children. What we are teaches the child far more than what we say, so we must be what we want our children to become.
I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.
'A New Model' is saying that women should be confident in who they are and that they can be their own role models.
Whole communities are growing up without fathers or male role models. Bringing up a family in the best of circumstances is not easy. To try to do it by placing the entire burden on women - 91% of single-parent families in Britain are headed by the mother, according to census data - is practically absurd and morally indefensible.
I discovered by working with actual glass models that the important thing is the play of reflections and not the effect of light and shadow, as in ordinary buildings.
Models used to describe and predict inflation commonly distinguish between changes in food and energy prices - which enter into total inflation - and movements in the prices of other goods and services - that is, core inflation.
Our goal was to win, to win a Super Bowl, but also to win in the right way, to be role models to our community, to represent Indianapolis, the state of Indiana and the National Football League.
I hate big models.
That's how I taught myself how to draw - tracing the ads and petting new clothes on the models.
I do believe that if models look like children, then they shouldn't be sexualised.
I write fiction that reflects Islamic logic: fictional worlds where cause and effect are governed by Muslim rationale. However, my characters do not necessarily behave as 'good' Muslims; they are not ideals or role models.
I didn't have any role models. I really thought I was doomed to this loveless, lonely life. I didn't know any gay people until I began doing theater.
Prior to the early 1960s, economic theorists rarely constructed models customized to capture unique institutions or specific market characteristics.
In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it.
There are relatively few role models for young people. We are in a society that is ruled by men.
A ton of little girls I talk to, they want to be actresses or singers or models.
French laicite is probably aggressive and antagonistic to the religion, but there are other models of secularism in the world where there could be reconciliation between religion and secularism.
I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.
I love so much the models from the '60s and the '70s. They were extremely professional, great models who knew how to work the camera so well and loved fashion and had a great sense of style.
