What is 'cool,' anyway? Maybe it's Warne Marsh, almost totally obscure and penniless, coming in late to a fourth-rate Hollywood nightclub, playing like an angel with a couple of sidemen, but never speaking to or even acknowledging another human being.
I love Winston Churchill; I think he had the grace of coming and the grace of leaving - when things were hard he was there, and when it was time to leave, he left.
I do find, coming form the stage and all that, I've always been conscious of my posture and my body, but also the style aspect, I do find myself throwing on a blazer and a nice pair of loafers more often. Daddy always likes a new pair of Guccis.
I want to be strong. I want to be able to hit people. I want people to be able to bounce off me. When I go out there and play, I play to intimidate people. If someone gets hit down by me, they're going to think twice about coming near me again.
I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.
Glenn Slater is my lyricist who, of the new young lyricists coming along, is the most exciting, I think.
I started singing in pubs and clubs around Belfast when I was 10. My dad is a musician, and he took me 'round; I impersonated Tina Turner and Shirley Bassey, and the crowd couldn't believe what was coming out of this little girl.
In terms of finding that first international recognition of my work, coming back to Cannes is such a milestone in my life because it began actually with 'Devdas'.
