When I got religion, I found some work to do to benefit somebody.
Maybe I'm a dreamer, but I think the ordinary guy has just as much right to say 'This is a good song' as somebody who is in the music business.
If somebody says 'singer-songwriter' to me, the first person I think of is James Taylor. There are plenty of modern singer-songwriters, but there is something about James Taylor that has always resonated with me.
I have a repertoire of songs that I'm proud of, that I've written for my own band. When I do a cover, something that somebody else has written, I think about it very carefully before I sing that song. I have to really get behind it and understand it and like it. And that's how I pick roles. I don't want to play just anything.
I've been approached many times to write all sorts of books about my past and my personal life. I get interest from people who want to do reality shows, and somebody just offered me a huge amount of money to write my spiritual memoirs. I'm just not interested.
You fall in love with somebody who fits within what I call your 'love map,' an unconscious list of traits that you build in childhood as you grow up. And I also think that you gravitate to certain people, actually, with somewhat complementary brain systems.
For somebody who has injured their brain, every single thing they say and think will be the subject of their own questioning.
Most good media come out of somebody saying, 'This should exist; this is something I want to read.'
I don't know if I'd want to be a Secret Service agent. In the movies, it's exciting and romantic and all that. Really, most of their job is standing in a hallway for 12 hours making sure somebody doesn't come through a doorway off of a stairwell.
You see somebody on a football field make a great, athletic 70-yard run, but the athleticism is immeasurable. It's undoubtedly athletic, but compared to somebody else who did something else, how do you compare it? That's the great part of track and field. It's a test, but with results that you can compare to others.
Words on the page don't have the same impact as somebody saying the words to you.
If you're truly in a band and you guys have been together for a long time, there's a family bond that you have. In fact, I've talked about this with therapists, especially if you're talking about a relationship, because when you're with somebody, you're going to your family, and she's alone.
If you are going to replace somebody off of one of the bills - which I have no problem with a lady being on one of the bills - that you would replace the 20.
In my opinion, the only real asset one has is one's reputation, right? I mean, any company and institution can go belly up at any time. But if you have a good reputation, you know, you can usually find somebody who can - who thinks they can use what you have to offer.
I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
Open nominations means it is local Liberals who choose who gets to be their representative. But what that doesn't mean is that somebody can behave any which way and bully other people out of the nomination and then be the last person standing.
Some stories, my property, have been stolen. Someone's appropriated them. It's an illicit act. It's unfair. Suppose you had a coat you liked, and somebody went into your closet and stole it. That's how I feel.
If you don't believe there's some organising principle, or somebody up in the sky pulling the strings, then it can be very stressful. And nature itself is very arbitrary - it's not malevolent or benevolent; it doesn't even know we're here.
My parents were very volatile but very loving. My father would get jealous if my mother looked at somebody. I used to be insanely jealous. It comes out of insecurity. It can come and go, but you get to the point in life where you don't have this raging jealousy and protectiveness about your world.
Musicals are very collaborative. Unless you find somebody who wants to do something with you and has equal commitment, it's not going to work.
I don't consider myself an A-list celebrity or a big dog, but every time I meet somebody, even rappers who've been in the game for years... they're like, 'Man, I'm trying to get on your level.'
Somebody made the statement that Donald Trump has built or owns the greatest collection of golf courses, ever, in the history of golf. And I believe that is 100 percent true.
I used to dread somebody saying, 'Whatsa matter with your eye?'
I'm somebody who doesn't work with a stylist. I'll be honest with you, I'm a mom and it's just not something I want to put money toward because it's expensive to have somebody who helps dress you and I feel like I have to pay for preschool and so many things... so I don't have a stylist.
It was a big deal to me to play characters and feel things and connect to somebody in a fake world.
I'm not trying to get myself up a notch on the ladder by shoving somebody else down on the ladder, whether it's a candidate or the president of the United States or anybody else. I just don't believe that's the way one oughta campaign, I've never done that.
There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
What we have tried to instill across the league through ownership and management is that we stand for inclusiveness and to judge somebody on the merits.
I don't want to play earnest. I'd rather play somebody who's kind of sleazy. It's much more fun, especially in a comedy. You don't want to be some earnest guy who's just trying to do the right thing but can't. I want to be doing the wrong thing intentionally.
I never feel like I'm looking to get away from my own self. Not as much as I'm trying to get inside the mind of somebody else.
I'm a character actor and I get lost in these characters, so I think it's only recently that people have begun to connect dots and go, 'Oh, that's the same person that did this, this, this, this and this!' which I take as a compliment. One time somebody called me an illusionist, and that was the nicest thing anyone has ever said.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
When you work with somebody, either the puzzle piece fits, or it doesn't.
I always wanted to be good at something, to be somebody. The minute I got into my first play, which was called 'Excuse My Dust' - I was 17 at the time - I knew that this was what I'd been looking for.
You're gonna know, if I have beef with somebody, then one of us is just falling out.
I did undergo hypnotherapy, and it didn't work! The guy couldn't put me under. I was very disappointed. I was very keen to be suggested, to have somebody tell me to run naked or cluck like a chicken or whatever, but it didn't work for me, I'm afraid.
