I had always sung, as far back as I can remember, for the pure love of it. My voice was contralto, and I sang in a church in Naples from fourteen till I was eighteen.
I've had battles with writers who live in L.A. and were writing southern characters, because they felt like if they wrote 'Sugar' and 'Honey' at the end of every sentence, that would make it southern.
My mother had a radio show - a Barbara Walters type of gal and was very successful for about 20-some years on a radio station.
Almost every one of my various zero numbered birthdays has had a big concert in London and often in Paris.
In fifth grade, we had to write a story and read it in front of the class. When I read mine out, the class were just belly laughing. And I remember being like, 'This is the coolest!' So I want to dedicate my life to trying to make people laugh. I can't imagine doing anything else.
The American fantasy of love is the 'meet-cute,' 'Love at first sight,' and 'You had me at hello!' The completely spontaneous version of accidental love, which doesn't care about demographics and social compatibility.
By the 1950s The Novel had become a nationwide tournament. There was a magical assumption that the end of World War II in 1945 was the dawn of a new golden age of the American Novel, like the Hemingway-Dos Passos-Fitzgerald era after World War I.
We've had enough with the gun shows where you can buy from private sellers with no FBI background check.
Event cinema is what it is, and I understand why it's successful. It started with things like 'Jaws,' which are extraordinary movies. But what we've lost are great character films which are beautifully directed and had great movie stars in them. Films that were about something rather than about spectacle.
I was very proud to be at 'The Wall Street Journal'. I have nothing bad to say about it. I had a great run there. In what turned out to be the final years of my tenure there, 'AllThingsD' occupied me more and more and was much more fun.
I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
I wish it were true that every child had access to an education that helped them reach their full potential.
I wrote in coffee shops in Japan when I was 22, 23, before I had the stamina to sit down and write. I liked the buzzy environment; I couldn't speak Japanese when I arrived, so it was kind of a white noise. It felt more sociable than being alone, but now, as I've developed a writing practice, I couldn't do it.
With this film, 'Need For Speed,' with this, we had a blank canvas to work with. What we had to do was have fast cars, and that's it.
This left-wing kind of speech, the Robin Hood thing that Pablo had, of course he was a criminal and a mean person, but it wasn't a false. He wasn't false. I don't know what kind of president he would be, maybe a very bad one, but I am sure he would do things for poor people - popular things that wouldn't solve their lives but would help them.
I would have liked to have had more to do with Kristin Bauer van Straten. She's the nicest human being that I think I've ever met.
I study more of truth and enlightening. I had to go the next level to talk about life.
What Bradbury had that most other science-fiction writers didn't have at that time was a love for beautiful language, evocative description, and haunting phrases that would stick with the reader.
When I started working on my own music, I didn't have the chance to record in a big music studio, so I had to record everything myself.
I always say, 'I love producing, but directing is my passion,' and for a while, I had to produce to support my directing habit.
We haven't had the success we had hoped to achieve. Josh McDaniels is the head coach of the Broncos and you always strive for stability at that position. However, with five games left in the 2010 season, we will continue to monitor the progress of the team and evaluate what's in the best interest of this franchise.
I don't think I've had a holiday in my entire life that wasn't about my dad's work.
Ninety percent of my roles, I've had to fight for. It's only a really small percentage of people who get handed roles.
Busy is good, you know. Busy is better than bored, and there's more recognition. Like, I try to feign the anonymity which I had before 'O.J.'
As a quarterback, there's no better way to finish your year, in winning a Super Bowl, than with a touchdown pass. The chances of that happening, by the looks of most of the Super Bowls, is a very rare chance. Fortunately for me, I had an opportunity.
One of the greatest gifts my father gave me - unintentionally - was witnessing the courage with which he bore adversity. We had a bit of a rollercoaster life with some really challenging financial periods. He was always unshaken, completely tranquil, the same ebullient, laughing, jovial man.
I don't generally give interviews unless I have to promote a play and had sworn years ago, having been bitten once too often, never to be interviewed by a woman again.
You know the things I went through as a youngster, coming into the business, all the good, the bad and the ugly that came. I'd had a rough life. I grew up single parent. My mom, she was like a father to me.
I used to be on dance team in high school; it was called drill team in Texas. And when I started doing theater sophomore year, I had to make a decision which thing I was gonna follow. It was a big shift because I sort of had all these friends on dance squad, and when I started to do theater, my whole identity shifted.
I've had moments of deep self-involvement that didn't come from a place of loving myself but quite the opposite.
I had a happy childhood.
My thesis topic was 'The value of a human life.' I asked people a question: 'Suppose you had some risk, a one in a thousand risk of dying - how much would you pay to eliminate it?'
I had the title poet, and maybe I was one for a while. Also, the title singer was kindly accorded me, even though I could barely carry a tune.
For me to even be talking about bikini confidence is crazy. If you had asked me a couple of months ago, I probably would have been like, 'what are you talking about...' so it's actually huge for me to even feel okay with putting a bikini on.
The House has repeatedly had overwhelming votes in support of continuing the Yucca Mountain repository.
Before I'd written movies, I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.