Football and me have never got on. My instinct and love for the harder end of contact had always meant I was perhaps a little too heavy-handed for football. Somehow it left me feeling unfulfilled.
Authenticity is the alignment of head, mouth, heart, and feet - thinking, saying, feeling, and doing the same thing - consistently. This builds trust, and followers love leaders they can trust.
I'm really not feeling one way or the other with comedy or drama, I'm just sort of doing projects that I've been finding really fun to be a part of.
When you sing gospel you have a feeling there is a cure for what's wrong.
Fear is a spirit that produces a feeling.
I don't know, I always had an active dream life, and there's something so profound and wonderful about a movie. It's so alive. It's so shared. The thing of sitting in an audience and going into a dream-like state with several hundred other people that are sharing exactly what you're feeling is a profound event.
I like L.A. because of the light. The light makes me feel so good. It's really beautiful. And there's something about L.A. being so spread out that gives you a feeling of freedom. Light and freedom.
I am suffocated and lost when I have not the bright feeling of progression.
It's an incredible thing when you are creating something in a moment with the other people on stage and with an audience, and you are all experiencing it together as it exists in that one night. It's a magical feeling.
There's an insecure part of me that comes out of me, I get nervous. I don't know why, I wish I could overcome it because it gives me an anxiety feeling.
I was dyslexic before anybody knew what dyslexia was. I was called 'slow'. It's an awful feeling to think of yourself as 'slow' - it's horrible.
Be honest with yourself and the way you act when you hear music. That way, when people watch, they'll see something from your heart and soul, and as a result will communicate your feeling and thought much better.
Hope is a feeling that life and work have meaning. You either have it or you don't, regardless of the state of the world that surrounds you.
There is only one issue: man's lack of experience in feeling his Divine self and his innate connection with the Divine. All other issues stem from this.
I want love, because love is the best feeling in the whole world.
I like to give myself a nice run up to a shirtless scene. Physically, it really doesn't make any difference. It's about mentally feeling good about it.
It took a lot for me to be able to say that I'm a plus-size model or a model at all without feeling terror or this kind of panic, because it was something so unplanned.
To say I have played through four World Cups, two Lions tours, 91 international games and a ridiculous number of injuries and other setbacks gives me an incredibly special feeling of fulfilment. I know myself well enough to know that I will never truly be satisfied.
Exaggerated sensitiveness is an expression of the feeling of inferiority.
Our national determination to keep free of foreign wars and foreign entanglements cannot prevent us from feeling deep concern when ideals and principles that we have cherished are challenged.
I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off.
So much in football is touching, feeling, walking through, writing it on boards, drawing Xs and Os. And all those are the best for me.
Individuality is founded in feeling; and the recesses of feeling, the darker, blinder strata of character, are the only places in the world in which we catch real fact in the making, and directly perceive how events happen, and how work is actually done.
We go to movies to be taken away to another place, to be dazzled, to dream, to hopefully be filled with wonder. The design of the world and the look of the film is all in service of trying to create that feeling of wonder in the audience.
I love gothic monsters, but I like to root them more firmly in the traditional folklore from which they sprang. Or at least, I like to evoke the feeling of those folk stories.
It is easier to act yourself into a new way of feeling than to feel yourself into a new way of acting.
Painting and photography keep the creative channel open, and for an actor, it's to keep alive, it's to keep awake, it's to keep watching, it's to keep feeling, it's to keep enjoying, to keep that sensuality of feeling alive.
Illusions are art, for the feeling person, and it is by art that we live, if we do.
For me, acting is becoming naked in front of people, you know? And when you know in the back of your mind somebody is testing you, you cannot really bare yourself. That's a feeling I always have when I'm auditioning.
I played on this soccer team, called Hollywood United, and there were a lot of old ex-international pro-players. We played this benefit match at the Rose Bowl, and the crowd streamed in. It's so nerve-wracking to go out into a stadium, feeling a billion eyes upon you when you mess up your touches. That's an overwhelming environment.
You cannot beat the feeling of sitting on top of the charts. I had almost forgotten what it feels like... It feels great! It is really a very exciting time and I am enjoying the ride.
Our uniqueness makes us special, makes perception valuable - but it can also make us lonely. This loneliness is different from being 'alone': You can be lonely even surrounded by people. The feeling I'm talking about stems from the sense that we can never fully share the truth of who we are. I experienced this acutely at an early age.
I entered my egg-freezing adventure from a feeling of lack - a lack of fertility, of the right partner, of biological time. But this perceived lack actually produced abundance - of options, time, peace of mind, and microscopic chances of a child.
Winning Wimbledon was a great feeling and it is still a great feeling. It has given me so much confidence.
I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war; it's hard to predict what people are going to be afraid of.
Being able to elicit the feeling of the unfathomable in intelligent adults is like falling in love.