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Most writers, by the time they're 60, must have revisited their childhood a dozen times.
All we do is sign great teams, and stay out of the way. The rest will take care of itself.
I'd worked on music docs for years. It felt like writing a novel. By the time I got to Keith Richards, it felt like making a sketch.
I am trained in theatre, and so I take time to study and get into the skin of a character.
So by the time I got to Michigan I was a stutterer. I couldn't talk. So my first year of school was my first mute year and then those mute years continued until I got to high school.
It wasn't like I just woke up and said, 'Here's my gimmick; I'll wear a hat and put something weird on it.'
I just sort of follow my bliss, so to speak, and then I see where that takes me.
The Dick, Jane, and Spot primers have gone to that bookshelf in the sky. I have, in some ways, a tender feeling toward them, so I think it's for the best.
I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.