Zitat des Tages von John Frusciante:
For me my friendship with Omar Rodriguez from Mars Volta that friendship really means a lot to me because he's another creative person who works as hard as I do.
Something like trying to protect yourself all the time, things like trying to outwit fate. Those things can be the worst thing you can do for yourself.
I would say a lot of the emotion in what I do is a sort of a thankfulness for those energies being around, because there's been points in my life when they weren't around, and it's a real sort of miserable existence.
What really helps me is being able to record my albums at home - I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.
Yeah, I really like being alive. But I definitely don't have any intentions as an artist.
For me it's important to be in balance. To not let fear get in the way of things, to not worry so much about protecting yourself all the time.
I just feel like the songs that come out are the songs that come.
I find that the best way to do things is to constantly move forward and to never doubt anything and keep moving forward, if you make a mistake say you made a mistake.
And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.
I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.
For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.
Rock guitarists usually do not wish to think trains of thought about anything but their own guitar playing during a long solo, and I could not play this way if I were not able to divide my attention between my ever changing musical environment and my instrument itself.
Everything's very perfectly balanced; for all the horrible things in the world there's lots of good things.
I don't want to be on the radio. I don't want to be on Mtv.
I try to put the same spirit into that that I put into any other music endeavor I'm involved in.
In music you have people exposing this very vulnerable part of themselves, and you also have the lifestyle is so fast that oftentimes people search for whatever the easiest way to feel relaxed in the midst of all of it, or the easiest way to have energy.
In the Chili Peppers I'm a part of that world in a pretty big world and that's just the way it is.
I feel like I'd like to continue putting out records and start putting them out more rapidly than I have until now and for me if I can keep selling the records to the fans that already like me that's fine.
As far as my solo record, I don't want a gold record or anything, I'm happy to be small and to have the people appreciate the music who really like me for being me.
People fall into patterns at fast speeds, when really, to have a clear musical thought - the kind of musical thought that makes a melody work - our brains just can't think that fast. At a certain point, you're going on automatic.
I consider my music to be Progressive Synth Pop, which says nothing about what it sounds like, but does describe my basic approach.
But I have been avoiding talking about what I'm doing now because it's frustrating for people to hear about things that aren't available yet.
My music, my whole approach to the synthesizer has completely changed now.
I think the feelings in my music were suggested to me before I even had the ability to play music.
You just never know when somebody's gonna die. It could happen at any moment so you've got to really treat everybody that way. Just really let everybody know how you feel about them.
The drive to create music that is pure is my highest priority. Sometimes I'll get extremely technical, and other times I'll just kind of go with the gods of music.
I combine aspects of many styles of music and create my own musical forms by way of electronic instruments.
The main thing experience has taught me is that one has to sort of hone their relationship to time, you know.
I just like to switch things up all the time. Like when it comes to singing, I try to find a different character for each song.