Zitat des Tages von Robert Gottlieb:
In Georgia, apparently, men are men and women are women - at least in their folk dance.
'Neverwhere,' by Benjamin Millepied, is set to his favorite composer, Nico Muhly.
After all these years of saying the same thing about the Alvin Ailey company - terrific dancers, awful repertory - I'm finally accepting the inevitable: I'm not going to change my mind, and they're not going to change their ways. And why should they, given their juggernaut success all over the world?
No agent/publisher is in a position to create across a spectrum of media and distribution what major publishers can accomplish for authors.
I can almost always read a new manuscript overnight.
Ballet is like any other art form in that we all start out knowing nothing about it.
'Black Swan' does what Hollywood movies have always done - it spends its energies on getting some surface things right while getting everything important wrong. Darren Aronofsky, the director, applies the same techniques and the same sensibility here as he did with 'The Wrestler,' only with a prettier protagonist.
With its vastly complicated plot and its immense cast of characters swirling around the case of Jarndyce vs. Jarndyce that has been grinding away in the Court of Chancery for decades, 'Bleak House' is, for many readers, Dickens's greatest novel.
A lot of people have a lot of faith in Karole Armitage. They see her as bold, inventive, indefatigable. 'America isn't working out? There's always Europe. Ballet? No? Go modern. Keep going! Show 'em!'
Audiences love Paul Taylor, and so do I. Not everything, and not always, but year in, year out, he gives me more concentrated pleasure than I get from any other dance company.
The Kirov is a great ballet company because it has so many terrific dancers, but it doesn't always know what to do with them.
Twyla Tharp is not going to take orders from anyone, not even Mozart!
Ballet companies have their ups and downs, just like the rest of us.
The Iron Curtain may be a thing of the past, but Mother Russia is as mysterious as ever.
Controversy sells books.
We know that Diana Vishneva is a phenomenon of strength and style, and she certainly has earned the right to stretch her talents as best she can.
'Ocean's Kingdom' is a fairy story with no subtext, no resonance - it's not about anything except its water-logged plot.
Jodi Melnick is hotly self-absorbed. Her onstage musicians are much too loud, and like so many narcissistic performers, she goes on much too long: She's interested in herself; why wouldn't we be?
I was the only child, and I know my father had certain thoughts about me. He was a lawyer and extremely literary, but he would have been much happier if I had wanted to be a lawyer, a scientist, an engineer. But what I wanted to do was read.
In today's world, it never looks good when you're suing somebody who earned $20,000 for writing a book over a period of a year or two.
Shakespeare has always been up for grabs, and choreographers have every right to use him any way they choose.
Blood is the leitmotif of 'Black Swan.'
Yes, bad or mediocre ballets can be useful to the dancers and temporarily fun for the audience, but in the long run, the lowering of standards can only erode the art form we all love.
There are certain historical figures of such importance that we need to know everything about them, which is why books about Napoleon, Lincoln, Julius Caesar, Joan of Arc, Queen Elizabeth I, and the great religious founders continue to proliferate; these lives require constant reevaluation and interpretation.
Martha Graham, along with George Balanchine, is one of the two commanding figures in 20th-century American dance. For those much younger than I am, her genius as a performer will have to be taken on faith - and on the always-suspect evidence of film. What will last, if things go well, is her genius as a choreographer, as a woman of the theater.
The cows in Stella Gibbons's immortal 'Cold Comfort Farm' are named Graceless, Aimless, Feckless and Pointless, and that more or less is the verdict on 'Ocean's Kingdom,' the wildly hyped and wildly uninteresting collaboration between Peter Martins and Paul McCartney.
You may feel that Peter Martins' 'Beauty' is too compressed and inexpressive, but it's loyal to the text.
The first time the Kirov ballet was seen in America was on Sept. 11, 1961. The ballet was 'Swan Lake.' The ballerina was Inna Zubkovskaya. The place was the old Met, on what must have been one of the hottest nights of the year, and there was no air-conditioning.
Gelsey Kirkland has had more than her share of demons, as her two distressing memoirs - and her violently checkered career - attest.
'Empty Moves' is elegantly and coolly inventive. Two pairs of dancers shadow each other in slow, deliberate rearrangements and manipulations of legs and torsos, only occasionally switching partners or breaking free of the formal patterning.
Of the great singing stars of the 1940s and '50s, only one - Nat King Cole - died young, at age 45.
You don't have to be a member of the New York Psychoanalytic Institute to figure out that when you title a memoir of your parents 'Them,' you're performing an act of distancing.
City Ballet has to develop choreographers of stature and a new approach to coaching before everything we value about it fades away and, in the great tradition of the Cheshire Cat, there's nothing left but Peter Martins' smile.
I don't like writing - it's so difficult to say what you mean. It's much easier to edit other people's writing and help them say what they mean.
The first movement ballerina should be a paradigm of strength and authority.
The mystery of Christopher Wheeldon deepens. Yes, he's the most talented of the younger ballet choreographers - indeed, where's the competition? Yes, he's particularly good at nurturing dancers and identifying their essential qualities.