When I first set out to do it, I wanted to be a working actor, and now it seems like it's superseded even my dreams.
I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.
I don't think people are experiencing superhero fatigue. Do you hear people complaining that there are too many action movies? I think it's good entertainment.
There's a certain weird something. I'm always nervous when I spar. You learn it's going to hurt, but it's only going to hurt for a little bit. It brings out the animal in you to an extent. You learn what you can take.
I'm super grateful, and whenever somebody offers me something, and I'm doing it, I always try to give 110%.
I usually just try to do whatever's on the page because I've done research before - including a lot of analysis - but you end up with conflicting data. To me, the script is king.
I think, in any debate, you have to respect the other person's point of view, if you agree or disagree.
The joy of 'Crash' was that it was all about the work. It was my first real part. Before that, it was a line here and there, maybe a scene. 'Crash' was five scenes, a beautiful arc, a little vignette of my own. It really meant something.
When I started wrestling, I sucked. I hated losing, so I started doing pushups and more squats, and then I did summer wrestling and learned different styles.
I didn't realise I lived in the ghetto until we moved out.
