We have to create a range, and we have to let there be possibilities. And basically, by showing there are different types of people, you write down the monolith. You stop having to represent for all black people when you allow there to be different types represented.
Coming-of-age stories, people roll their eyes.
If I can go three grandmothers back and find a slave, that means someone else can go three grandmothers back and find a slave owner. When you interrogate your histories, it forces you to rethink who you are and where you are.
I think 'Mudbound' reveals the interconnectiveness of our stories. You can't separate out threads of history and race as economic construct. 'Mudbound' makes it very plain. Race is about commerce; it's not an actual thing. It's a fiction that was created to basically divide resources unequally.
I was interested with exploring the idea of who gets to be in possession of the land - how it's sometimes impossible to go back home, how family can be the thing that drags you down.
