Zitat des Tages von Chris Stapleton:
I grew up in eastern Kentucky, and we would sing in the churches, and there's lots of good mountain church singers out there. Like a lot of folks who turn out to be secular music artists, that's a lot of the training you put in, whether you know it or not.
I like to fish. I collect pocketknives. I inherited a nice collection from my father and grandfather.
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
Among my dad's generation, when you gave another man a pocketknife as a gift, it was a show of respect. I'll still give someone the knife out of my pocket.
I'm not a hustler. I don't pitch songs. I don't ask people to write with me. It's not what I do.
I moved to Nashville to be a songwriter. I found out that was a job, that someone would pay you to sit in a room with a guitar and make up songs! It is the greatest job in the world. I wrote three or four songs a day. That's what I lived for.
As long as people are buying music, it's good for everybody.
It's nice to see people invest in what you do as an artist and sing the songs back at you and feel something. You get to feel something more than what you were feeling when you made the record.
I'm a fan of polarization. If you make something that is palatable to everybody, it's like making vanilla ice cream, and I think we have enough of that.
I like all kinds of music. But I would rather people stop caring about lines.
I always tell people, 'The music's free. I get paid to travel.'
I get tired of people trying to dog out the radio for not playing this or that. There are lots of people who like what they play - otherwise, they wouldn't play it.
I like to put something on and want to listen to it again once I get done listening to it, not feel like I need an ear break.
I went to college a little bit, and that didn't work out, and I didn't finish. So, I would play in bars until I ran out of money, and then I'd get a real job.
I think it's OK if somebody likes my music and likes Sam Hunt's music, too. And I think if we're both selling records, it's good for everybody. I think it allows other records to get made.
I'm not going to ask musicians to sit there and pretend to play. It feels insulting to the musicians to me.
I don't look at family and what I do for a living as separate things. They're all kind of one thing, and this is part of their life just like it's part of mine.
I grew up less than a mile from folks that lived in shacks with dirt floors. I certainly know that there are needs in this country. Not too far from your house, if you look around, people need to be helped.
I think, at some point, all of us - I'm gonna speak personally, not for everybody else - you're gonna feel like a one-trick pony, and you might even be a one-trick pony. But at some point, if it's a really good trick, everybody's still gonna appreciate it.
You always hope for the best when you put something out and try to make the best music you can make, but you can't control what happens after that.
If I'm feeling like rock, we'll do some of that, and if I'm feeling some other way, we might do some of that. So, that's typically how I record and write and play music and anything else.
Everybody's got a story on their beards. I guess it's just a way of finding common ground with people you otherwise might not know.
The first time you listen to someone else's interpretation of what you've created, it's a little unnerving. They'll change lyrics or something almost every time. That's them being an artist, and you appreciate it more over time.
I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
I can pass myself off as a 'Duck Dynasty' impersonator a lot.
My dad was a very straight arrow, prayed-at-every-meal kind of guy.
I always like to write the songs, and they get turned loose into the world, and who knows what happens to them. That's the joy of being a songwriter. You get to hear what other people do, interpretation-wise.
I like to put a record on and then listen to it again and then sit down and make my friends listen to it.
Anybody who has ever played in bars has played 'Keep Your Hands to Yourself.' It's a monumental piece of rock & roll. It makes you feel exactly like rock & roll is supposed to make you feel.
I never was a liner note junkie. I didn't know who produced records or there was such a thing as a straight songwriter. I always assumed that everybody that was singing a song wrote it or made it up.
I used to spend my money on going to Tom Petty concerts.
I like places that have history in the sense of - you feel responsible to it.
Everybody gets through a phase where it's, 'Ah, if I could just sound just like Vince Gill.' Then you figure out that you have your own voice, whether you like it or not, and that's what you should stick with.
I like more of the club mentality, where we're playing, and if we feel like we want to play a cover, we'll switch to that.
Why would you want to dictate somebody else's taste or happiness? Music is supposed to be joyful and move people, and however that gets accomplished for different people, it's all good.
It's such a strange marriage, a song and someone that sings it. When that works, it really works, and when it doesn't, it doesn't.