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I have always believed in dialogue and in nonviolence, and if you look at my background you will see that it has always been my policy to talk to everyone.
Things got big quickly for us, and playing arenas... it's like - and every band will tell you this - you don't see any of the town.
As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
It seems like the older bands are bigger than ever. We get a mixed crowd where you have kids and old blokes like me.
I look at myself like a farmer, harvesting my wares and taking them to the market, and then I go back and do it again.
Things slow down, the ball seems a lot bigger and you feel like you have more time. Everything computes - you have options, but you always take the right one.
I'm a little commitment phobic, in that I've always been someone who likes to take things one year at a time because as we all know, a year can change everything in your life.
What my father especially taught me was to not always take the safe road, the easy road. If you are going to do good work, you have to risk failing badly.
You have to find ways to find that center, to find that balance, to find sanity, because again, we are getting bigger, and people look at us that way. We have to find that new balance.