Bekommen / Getting Bits Denken / Think Durcheinander / Muddle Handlung / Act Könnte / Might Manchmal / Sometimes Sie / You Stil / Style Teil / Part Vermuten / Guess Welche / Which Zuschauer / Audiences
If you're going to act and do this for a living, you want to play something that the audience didn't expect.
Sometimes you forget where the heck you are but when you get on stage, you know by the look on the people's faces and the accent in their voices where you might be.
To me, it's OK to have differences. But we don't have to be mad about it. You know? And I think that's where sometimes we get so passionate that we - you know, it turns into anger.
I think being a movie star is about whether an audience can watch you and care about you.
The danger of serialization is that you almost get into a monotone - where they all have the same beat and pace, and it's all one long thing - and when you can kind of do this interesting mixture of episodic and serialization, you can kind of take the audience on a more interesting journey.
Once you get a perfect score, you don't want anything less. When you get less, then I guess it's time to step aside.
You get a buzz when getting texts: 'Oh, someone's thinking about me.'
The 50-50-90 rule: Anytime you have a 50-50 chance of getting something right, there's a 90% probability you'll get it wrong.
I guess if you're stupid enough to join the army without thinking about getting shot at, then you really are a fool.
