Zitat des Tages von Matt Dillon:
Looks aren't a big thing to me. I keep reading these articles in fan magazines about me, and I don't even know who they're talking about. It's boring.
I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.
Of course, if you're gonna make movies, you gotta make movies, and I'm not gonna say no to a good role.
I don't know why, but I like the saxophone.
To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.
I used to make fun of the kids in school who acted or went to dance class.
I don't consider myself a Hollywood liberal, but I have my convictions and my beliefs.
One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.
It's a pretty good job being an actor, but it's work sometimes. And when I say work, I mean it's a job. You're going to a job.
I've always wanted to do action stuff. I like it. You really want something that's special; that's got something special about it and not cheesy, I guess. I'll tell you something, it's fun, it's different. Comedy is difficult. Doing comedy is very difficult. Action stuff is fun.
I know this sounds kind of crazy, but I think we're all actors.
These are people who haven't gone through the legal means to becoming citizens like our forefathers did. They want all the benefits but none of the responsibilities.
When I was twenty-two it was a lot harder to get hurt by women. It was easier for me to, you know, cheat on a girlfriend. I can't lie like that anymore.
I'm ambitious. I do think you have a tendency to be less happy sometimes when you're a seeker. You can be disenchanted because you're not getting what you want, and you're always striving and looking ahead instead of just being in the moment.
The worst thing I could be accused of is that I'm a one-way dude, only out for myself. But the worst thing a woman can do is not to say anything. Especially when you're starting a relationship.
There were six kids in our family, and I grew up fast. I had to do a lot of things on my own. I was a rebellious teenager. That's why coming into the film business was good for me because it gave me some discipline. Once I became an actor, I had to grow up a little more.
I grew up with the white picket fence. My dad went to work nine to five, and he had a station wagon.
People get really nuts around cars. They get angry at cars, they get angry at their car, they get angry at people driving in cars; there's something really comical about that, about automobiles.
One of my biggest fears is not being able to break out of a rut; of becoming a prisoner to my ways, unable to change course. But in my mid-thirties, I learned you can change your thinking.
I've always liked Southeast Asia a lot. It's a wonderful place, an easy place. People are great, there's a lot of history and culture, and I like the serenity of Buddhism there. It's very beautiful. I find that to be a very nice place to visit.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
Fame is part of me and my life as an actor. I enjoy the creative aspects of my life as an actor. I enjoy directing and acting as well. But the bottom line for me is not prestige and power. It's about having an exciting, creative life.
The first music I was ever exposed to was Irish folk music, like the Clancy Brothers. My father plays that and Christmas songs.
I don't hide out. If you build a wall around yourself, it draws people to invade it. Fear is the enemy.
It was being young and sensitive and an actor. There was a lot of pressure, everything was a hurdle.
I only hear my own voice. When you start hearing other voices, then it's time to worry.
I don't worry about whether a character is likable, as long as the character is believable.
We get caught up in all the stress - 'Got to do this, is this the right thing for me to do?' - but what about the thing you want to do? That's what'll keep you young. It's empowering, not becoming a prisoner of some other person's idea of what you should be.
Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.