Zitat des Tages von Lance Henriksen:
To me rites of passage through life, that's a wonderful, beautiful thing.
In every respect, fantasy is like doing abstract paintings.
As a kid, there was a painting of 'Appeal to the Great Spirit' that I would see when I would get oatmeal bowls out of the cupboard. This painting, it was so real to me that it frightened me.
The thing I hate most in acting is asking permission to do things. What you really want to do is say, 'This is my need; this is what's going to get me further; this is what's going to be alive. I don't ever say, 'Do you mind if...?' I just come in and do it.
You do your work as fully as you can, and the ones who hear the sound join in.
When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
One of my favorites of all time was with Jim Jarmusch, called 'Dead Man.' I was in that with Johnny Depp. I ride really well, and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked.
You know something, if you're not acting, you're not an actor - you've gotta work. No way around it.
I have never gauged myself against anyone else.
Charles Bean is a brilliant director. I come in with an idea and try to do it, but I fall on my face. And then, he says, 'Wait a minute, there was a little moment in there. Let's try that moment and expand in that direction.'
I appreciate the idea that anybody would think of me as a star. But I'm really not career oriented in the sense that I want to be a star. It's not in me. It's not what I do. In fact, I'm amazed that I've even gotten this far.
Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.
Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
But to this day - I'm very literate now, I love to read, I read constantly - words don't resonate the way they do to a person with a formal education. They're like a maze, a puzzle that has to be opened up.
In the late 1960s, I ended up in Telluride, Colorado. It wasn't like the country club that it is now. It was very raw. Skiing was there, but snowboarders have now entirely overrun it.
I always wanted to be an actor, even when I was a little kid. When I used to run away from home, I'd go to movies and sit all night watching Kirk Douglas. When I was 16, I tried getting into the Actors Studio, and they told me to get lost. I said 'I'll come back when I'm a man,' and I came back when I was 30.
My feeling is, I do a lot of low-budget films. I don't do low-budget acting. I have no interest in just goofballing my way through, thinking, 'Ah, no one's ever going to see this anyway.'
