Zitat des Tages von Kathryn Bigelow:
My movement from painting to film was a very conscious one.
Jordan is a very secular, Westernized country in some respects.
I don't do what I do to try and break a glass ceiling.
Cinema has the capacity to be so physiological.
I like high impact movies.
For some individuals - some soldiers, some contractors - combat provides a kind of purpose and meaning beyond which all else potentially pales in comparison.
Character and emotionality don't always have to be relegated to quieter, more simple constructs.
I need to have my hands on the DNA of a film.
When he brought it to me four years ago, Rodney King had just arrived, I was involved in the clean-up of L.A. and I guess it was part of my experience.
The urge to purge the material I come up with is, I guess, an ongoing process.
I've always developed all my own pieces, and they're time-consumers.
Our film examines the heroism, courage and prowess of the Soviet submarine force in ways never seen before.
I choose material instinctually - at the heart of it are characters that I feel are fresh and original, and allow for an opportunity to, I suppose, explore uncharted ground.
You only have so much money to shoot a movie with.
The Communist regime didn't consider this to be a shining moment in history and assigned no heroism to it. They classified it as merely an accident.
I think violence in a cinematic context can be, if handled in a certain way, very seductive.
You have to disengage at some point in order to be fresh.
When I made my first film, I didn't think of it as directing, so it wasn't like I set out to become a director.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
Something becomes personal when it deviates from the norm.
You never think the universe will reward your first choice - it just doesn't work like that.
I don't know if I thrive in normal life.
Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people.
One should make morals judgements for oneself.
Am I a 'woman of action'? I don't think of myself that way.
There should be more women directing; I think there's just not the awareness that it's really possible.
When James Cameron brought me the script, which I developed with both Cameron and Jay Cocks, I wanted to make it a thriller, an action film, but with a conscience, and I found that it had elements of social realism.
On the other hand, I believe there's hope, because the breakdown and the repair are happening simultaneously.
One of the elements in the film that really fascinated me was not to look at the world in bi-polar terms of us vs them or east vs west, which was a by-product of the Cold War.
I don't want to be made pacified or made comfortable. I like stuff that gets your adrenaline going.
I suppose I like to think of myself as a film-maker.
I'm definitely not drawn to shooting on a stage, I'm just not.
I don't believe in censorship in any form.
I really look for peak experiences and dramatic material that can allow peak experiences.
I'm drawn to filmmaking that can transport me. Film can immerse you, put you there.