Zitat des Tages von David Sanborn:
While St. Louis is technically regarded as part of the Mid-West, it's actually - geographically and emotionally - more part of the South. I mean, the sensibility of St. Louis is really very much that of a Southern Mississippi river-town.
I tend to play in a way that feels natural to me. To me that's authentic for myself. I play by where I'm led by some sense of where I feel I'm supposed to be.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn.
I have a certain temperament, a disposition that I think lends itself to not playing outside the lines that much. But I do test the boundaries, certainly, and break one or two of my own. Some people are mystified by it, but not me.
When you see the same familiar faces, it's nice when you get a chance to play with the same musicians. You start to develop this shorthand so everybody knows where you're at and where you're going, but then again, there are always surprises. But the more people are comfortable with the material, the more free you can be with the music.
Jazz music should be inclusive. Smooth jazz to me rules out a certain kind of drama and a certain tension that I think all music needs. Especially jazz music, since improvising is one of the cornerstones of what jazz is. And when you smooth it out, you take all the drama out of it.
It's tough to be in a relationship with a musician, because it reads sometimes as this ego and self-involvement when it's really just concentration and focus.
I became a musician because I love music, and that is what has sustained me; it's not because I thought it was a great way to make a living. Music saved my life.
When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass.
Its all about finding the right note at the right place and knowing when to leave well enough alone. And that's a lifelong quest.
Instrumental music is increasingly marginalized and there's just no outlet, there's no venue for it, in terms of media.
When I was 17 or 18 and it was time to figure out what to do with my life, I realized that I didn't enjoy anything as much as I enjoyed playing music. I felt that I had no choice: that I had to become a musician.
All the music that I've made in the past I've believed in. I think some of it has been more commercially successful than others, but it wasn't premeditated.
I look at the artistic process as like experiencing the world, channeling it through your personality and sending it back out there. That's the process.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn. Don't dismiss something out of hand because you think it's either beneath you or outside of the realm of where your interests lie.
Well, I guess my unease with that is... I'm always a little uneasy with that phrase - smooth jazz, as opposed to what?
Music is just kind of an expression of who I am. It's what I do.
I always wanna be in the process of evolving and growing.
When you're on stage, unless you surrender to the moment, you're not telling the truth. I look for people that tell me the truth.
I didn't try to think what my audience wanted and then make the music accordingly. I made the music and hoped that as many people liked it as possible.
I try to do things that keep me interested. And play music that moves me. I like to move around and play in a lot of different ways.
To me, the object of practicing is to allow you to play what you hear. But you're always hearing new things, so you never get to the end of it.
I kinda always wanted to be a tenor player, but I'm a small guy, and tenor was just too big.
It's always difficult to define what jazz is or what jazz isn't. To me, the only definition that I can think of is it's music where a lot of different elements are played at the same time. The harmonic, the melodic... You're pushing the boundaries on every level. That could be true of rhythm and blues as well. I'm a musician.
Music is like an open sky. You know it's out there... and there you are.
I think that, given a real choice, people would like to hear something interesting, not something bland and right down the middle.
