Zitat des Tages von Bruce Eric Kaplan:
My cartoon life is in my office, and it's very separate and getting very in my own head. My television life is I'm begging one of the actors to say the line in the way I'd like them to.
It was memorable the first time 'The New Yorker' bought a cartoon from me. I had been sending them batches for years every week, and they didn't respond to them.
In L.A., you can put out a craft-service table anywhere, and it's no big deal. But in New York, people who walk by it on the street get really angry about it.
My mother always bought our birthday gifts.
I was trying to be a writer, and I was kind of getting sidetracked, so I started doing cartoons as a form of expression.
I've sat through boring speeches; didn't get up and leave.
What I like about graduation speeches is that they're an opportunity for someone to make sense of their life and to impart that wisdom to someone else. It's like a sanctioned self-help moment.
No, I never - no one ever - I never learned anything when I was a kid. Honestly, my parents had nothing to tell me - like, no wisdom, nothing.
Of course I loved 'I Love Lucy' and saw every episode over and over again. I found it heartbreaking that Ricky got to be famous and have an exciting life at the Tropicana while Lucy was stuck in that terrible apartment with the Mertzes.
My father would often start to say something, then say 'Forget it.'
Graduation speeches force you to reflect. They are about consciousness. Nothing is better than consciousness.
I actually thought, like, I was sure 'Get Smart' and, like, 'James Bond' movies, I was sure that that's what real life was like.
It's not like during your normal day, anyone says, 'How do having meaning in your life? How do you make meaning in your life?'
James Thurber was an inspiration because his drawings were so primitive. I am self-taught - I didn't go to art school - so I thought when I started doing them, 'If James Thurber can be a cartoonist, I can,' because his stuff is very raw.
As an adult, it's hard for me to remember my mother before her sickness. But if I go back into childhood, I can access that.
I read the 'New Yorker' when I was a kid. I used to love the cartoons and pick the cartoons out of the library, so I felt I knew the world of their cartoons.
Yes, the people I draw don't have a wide variety of looks. Every now and then I'll spruce it up, like a woman will be wearing a two-piece suit as opposed to a one-piece, or a man will not be wearing a tie; he'll just have a collar.
I always doodled as a kid while I was talking on the phone or watching TV.
In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'
In Los Angeles, it's always nice out. In New York, it can be nice out or horrifying. You really have no idea what you're going to get on any given day.
I started trying to be a writer and failed for years. I tried novels, short stories, sitcoms, movies, plays, anything. And then, to support myself, I had millions of jobs on the fringes of show business.
One quintessential moment in time is when you're 22, when you graduate college. And then another quintessential time is as a middle-age man. That's the convergence.
I am assuming my father learned at an early age that there is nothing more dangerous than showing your true self. I think a lot of us learn that, and it actually may be true.
Actually, I think that 'Seinfeld' tackles the same kinds of issues as 'Six Feet Under,' just in a different way.
My mother couldn't take having three boys. She was extremely jumpy, to say the least. Any noise startled her. The sound of a pot dropping on the ground could make her hit the ceiling.
I thought about trying to do a strip. I even tried to do it, but I felt I didn't have the voice. Even though I liked that form, I didn't think I thought in the form of the three panels.