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You know, even big-time academics kind of have groupies. Anyone with any sort of fame. So, like, in your micro-world, or in your niche, you're kind of like a celebrity.
No one in my circle calls me 'Travis.' Even my family, at a young age started calling me 'Travie.' So I want people to feel comfortable calling me 'Travie.' It's almost like inviting people in.
I think the moment you start trying to please a fan base is when you start going downhill. I'm going to always, always write about what I want, even if it doesn't necessarily cater to most of them.
When people write fan-fic sequels to one of your books, it gives you a very strange feeling. It is very flattering but strange, as if the characters have come to life again without you knowing.
If a pitcher sees you fiddling with the bat, he'll stall until your arms are tired before you even get a chance to hit.
The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they're acting. Here, you can see everybody wants his break.
I didn't have an agent, I didn't have a headshot. I didn't even know if anyone would know where to find me. I just went back to highschool and started playing with my band.
If you're going to write a book that might, in its very best accidental career, sell 30,000 copies, you've got to have a day job.
Any time you change something classic or iconic, you're going to have some part of the fan base up in arms.
